You are here

Synthesizers

  • 7256
    Modal Cobalt 8, Cobalt 8m & Cobalt 8x

    Sound Modules

  • 8198

    Synthesis / Sound Design

  • 8106

    Synth Secrets

  • link

    Roland XV & JV Power User Tips: Part 3

    Programming Masterclass

    We show you how to edit and save your synth's Patches, and help you maximise the effects potential of your multitimbral setups. Plus there's advice on troubleshooting thorny panning problems, and tips on automating levels without changing your individual sounds.

    Techniques Jan 2004
  • link

    Roland XV & JV Power User Tips: Part 2

    Programming Masterclass

    We untangle the intricacies of the XV file system, as well as track down some useful software utilities and web sites for Roland synth users.

    Techniques Dec 2003
  • link

    Roland XV & JV Power User Tips: Part 1

    Programming Masterclass

    Ubiquitous though Roland's long-lived range of sound modules appear to be, not many users get the best out of the vast synthesis and processing potential they offer. So here's how to coax circus-pony tricks out of your studio workhorse.

    Techniques Nov 2003
  • link

    Roland Fantom S & Fantom S88

    Synth Workstations

    Despite the synth-spangled history of the company, it's been many years since a Roland product ruled the high-end keyboard roost, and 2001's Fantom workstation failed to change this. However, there's much more to the new Fantom S than one extra letter...

    Reviews Oct 2003
  • link

    Roland V-Synth

    Variphrase Synthesizer

    The V-Synth is a classic case of the whole being more than the sum of its parts. None of its impressive features are new — they've all been seen on previous Roland products — but nevertheless, it's the best new synth in years. We explain why...

    Reviews May 2003
  • link

    Roland MC909

    Sampling Groovebox

    The latest in Roland's line of MC-series workstations is their best (and most expensive) yet, incorporating synthesis, sequencing, real-time control, and sampling. But in an increasingly software-driven world, can a Groovebox still cut it?

    Reviews Mar 2003
  • link

    Synthesizing Acoustic Pianos On The Roland JX10 [Part 3]

    Synth Secrets

    When trying to copy a real piano with an analogue synth, if one patch doesn't quite do it, two just might...

    Techniques Jan 2003
  • link

    Synthesizing Acoustic Pianos On The Roland JX10 [Part 2]

    Synth Secrets

    How did they make that sound on a subtractive synth? We continue to dissect the analogue 'Acoustic Piano' Performance from Roland's 1986-vintage JX10.

    Techniques Dec 2002
  • link

    Roland XV2020

    Synth Module

    Designed to replace the JV1010 as Roland's entry-level synth product, the XV2020 is diminutive, affordable, and crammed with those great XV sounds. But what's it like to use?

    Reviews Nov 2002
  • link

    Synthesizing Acoustic Pianos On The Roland JX10 [Part 1]

    Synth Secrets

    As explained last month, synthesizing the sound of an acoustic piano is difficult, but it can be done reasonably realistically, as the 1986-vintage Roland JX10 shows. We find out how Roland managed it...

    Techniques Nov 2002
  • link
    Figure 1: Synthesizing a cymbal using the Nord Modular.

    Synthesizing Bells

    Synth Secrets

    Having come up last month with a reasonably realistic cymbal patch, it's time to take the principles of synthesizing metallic percussion one stage further, and produce bell sounds. But there's more to this than you might think...

    Techniques Aug 2002
  • link

    Roland XV5050

    Sample-based Synth Module

    Roland's latest module provides the most affordable way yet to access the company's fine XV soundset, albeit with reduced polyphony and a less intuitive user interface compared to the more expensive XV5080. We weigh up the pros and cons.

    Reviews Jun 2002
  • link

    Roland SH32

    Virtual Analogue Synthesizer

    Roland released the JP8000/8080 virtual analogue synth way back in 1997, but never really followed it up. Now they've combined the modelling synth idea with their Groovebox concept, presenting it in compact form with a wealth of hardware control options...

    Reviews May 2002
  • link

    Practical Snare Drum Synthesis

    Synth Secrets

    Last month, we revealed just how hideously complex the sound-producing mechanism of the snare drum can be. Nevertheless, synthesizing the sound is not as hard as it seems, as we find out with the aid of a Roland SH101...

    Techniques Apr 2002
  • link

    Roland Fantom FA76

    Keyboard Workstation

    Korg's Triton has dominated the workstation synth market for several years, but the past 12 months have seen challenges to this position firstly from Yamaha, with their Motif, and now from Roland. Does this Fantom have what it takes?

    Reviews Feb 2002
  • link
    Synth Secrets Nov 2001 artwork image of timpani and percussion.

    Synthesizing Percussion

    Synth Secrets

    Synth Secrets turns its attention to the synthesis of percussion instruments, beginning with pitched drums.

    Techniques Nov 2001
  • link
    Synth Secrets Oct 2001 Parker Fly electric guitar header image.

    A Final Attempt To Synthesize Guitars

    Synth Secrets

    Having proved that subtractive synthesis of an acoustic guitar is completely impractical, Gordon Reid tries his hand at the electric variety, and deconstructs some past attempts to emulate the sound via analogue means.

    Techniques Oct 2001
  • link
    Figure 1: Top panel of a Roland SH101.

    Roland SH101 & ARP Axxe Brass Synthesis

    Synth Secrets

    Gordon Reid concludes his attempts to adapt an idealised analogue brass patch so that it can be programmed on real synths. This month, he looks at the Roland SH101 and ARP Axxe.

    Techniques Jul 2001
  • link
    Figure 1: [top] A simple synthesizer. Figure 2: [bottom] Applying this control voltage to the oscillator frequency would result in a short burst of vibrato.

    Modulation

    Synth Secrets

    In this month's instalment of his series on the basics of subtractive synthesis, Gordon Reid considers the magic ingredient that makes all the other elements sound interesting...

    Techniques Feb 2000
  • link

    An Introduction To VCAs

    Synth Secrets

    Having laid bare the inner workings of oscillators, contour generators and filters, Gordon Reid turns his attention to something which at first sight seems entirely self-evident. Can the humble voltage-controlled amplifier really hold any Synth Secrets?

    Techniques Jan 2000
  • link
    Figure 1: A swelled brass loudness contour.

    More About Envelopes

    Synth Secrets

    Gordon Reid reveals some of the limitations of the 'classic' ADSR envelope with reference to a practical synthesis example, and explains some of the different types of envelopes found on 'classic' analogue synths, from AR envelopes right up to highly flexible digitally controlled EGs.

    Techniques Dec 1999

Pages

Subscribe to RSS - Synthesizers