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Synthesizers

  • 7256

    Sound Modules

  • 8198

    Synthesis / Sound Design

  • 8106

    Synth Secrets

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    Synth Secrets Oct 2001 Parker Fly electric guitar header image.

    A Final Attempt To Synthesize Guitars

    Synth Secrets

    Having proved that subtractive synthesis of an acoustic guitar is completely impractical, Gordon Reid tries his hand at the electric variety, and deconstructs some past attempts to emulate the sound via analogue means.

    Techniques Oct 2001
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    Figure 1: Top panel of a Roland SH101.

    Roland SH101 & ARP Axxe Brass Synthesis

    Synth Secrets

    Gordon Reid concludes his attempts to adapt an idealised analogue brass patch so that it can be programmed on real synths. This month, he looks at the Roland SH101 and ARP Axxe.

    Techniques Jul 2001
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    Roland MC307 Groovebox

    Sequencing Workstation

    Roland followed their first MC303 Groovebox with the well-specified MC505. Now there's the MC307, with a spec more like the 505, a price closer to that of the 303, and more DJ-friendly features.

    Reviews Jun 2001
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    Roland SPV355

    P/V Pitch-to-voltage Synth (Retro)

    The SPV355, launched in the late '70s, was intended to allow the pitch of instruments such as guitars and saxophones to control analogue synth sounds — which it does with varying degrees of success. Fortunately, it has other tricks up its sleeve, as Chris Carter explains.

    Reviews May 2001
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    Figure 1: [top] A simple synthesizer. Figure 2: [bottom] Applying this control voltage to the oscillator frequency would result in a short burst of vibrato.

    Modulation

    Synth Secrets

    In this month's instalment of his series on the basics of subtractive synthesis, Gordon Reid considers the magic ingredient that makes all the other elements sound interesting...

    Techniques Feb 2000
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    An Introduction To VCAs

    Synth Secrets

    Having laid bare the inner workings of oscillators, contour generators and filters, Gordon Reid turns his attention to something which at first sight seems entirely self-evident. Can the humble voltage-controlled amplifier really hold any Synth Secrets?

    Techniques Jan 2000
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    Figure 1: A swelled brass loudness contour.

    More About Envelopes

    Synth Secrets

    Gordon Reid reveals some of the limitations of the 'classic' ADSR envelope with reference to a practical synthesis example, and explains some of the different types of envelopes found on 'classic' analogue synths, from AR envelopes right up to highly flexible digitally controlled EGs.

    Techniques Dec 1999
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    Roland JV1010

    Sound Module

    If you were offered a Roland JV2080, complete with Session expansion card and software editor, for around half the price of a JV1080, you'd probably wonder what the catch was. OK, so the JV1010 isn't quite that, but it comes surprisingly close...

    Reviews Jun 1999
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    Roland Alpha Juno 1 & 2

    Synthesizers (Retro)

    Prepare to shed a tear in another near-miss tale of a desirable analogue synth swept aside by the rise of digital technology.

    Reviews Oct 1998
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    Roland Jupiter

    Analogue Polysynths [Retrozone]

    Roland's Jupiter family yielded one or two shining examples of what an analogue polysynth should be.

    Reviews Feb 1998
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    Roland JX3P

    Polysynth [Retrozone]

    Michael Anthony takes us back to the mid-eighties, when MIDI was in pre-school playgroup, and manufacturers built synths that couldn't decide if they were analogue, digital, or both...

    Reviews Feb 1996

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