With the UNO Synth Pro X, IK have upped their synth game and targeted ‘serious’ synthesists.
Are the motorised knobs of Melbourne Instruments’ debut synth a gimmick, or should all synths have them?
Roland’s SH‑101‑inspired S‑1 is a great‑sounding synth with surprising depth.
Newcomers GS Music are kicking things off in style with an ambitious polysynth.
S‑CAT’s bespoke Bass‑Synth does exactly what it says on the tin...
1010music’s diminutive Nanobox range has got it where it counts.
The Majella Implexus is a beautifully made synth with a foot on both coasts.
Behringer’s version of the classic ARP 2600 could be the one you’ve been waiting for.
Dreadbox are on form with an instrument that packs a lot of synth into a very small box.
Back by popular demand: Korg have miniaturised the ARP 2600 but kept the spirit and sound of the original very much alive.
Waldorf return to their roots with a modern take on the classic Microwave.
Empress’ compact, powerful and versatile ZOIA is part multi‑effects unit, part modular synthesizer...
Analogue Solutions have taken a perfectly good synth... and made it better.
Behringer’s TD‑3‑MO isn’t just a TD‑3 with extra knobs: it’s a completely different instrument.
When Make Noise label an instrument an ‘experiment’, you know things are about to get interesting...
The Tasty Chips GR‑1 makes granular synthesis more approachable than ever.
The Syntrx is not a clone, but its inspiration is clear. Can it recapture the spirit of the legendary EMS Synthi?
Moog love to push boundaries, and the Subharmonicon may be their most unusual synth yet.
Kyra's FPGA-based synth engine is technologically innovative, but what's it like as an instrument?
There's more to Korg's dinky kit synth than meets the eye. Much more...
Seldom has a new synth from a new company excited so much anticipation as the Hydrasynth. Should you believe the hype?
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