The Studio Electronics Tonestar 2600 is a complete analogue synthesizer voice in just 32hp. It consists of a single VCO, a sub oscillator and noise generator processed by a four-pole low-pass filter based on that of the legendary ARP 2600.
In this ever-changing world of virtual analogues, modelled instruments, and software emulations, it's a pleasant surprise to find that some companies are making synths the old-fashioned way. But is nostalgia really what it used to be?
The ATCX really could be seen as four synths in one, as its unassuming exterior conceals not only an adaptable true analogue synthesis architecture, but also the filter characteristics of classic synths that include the Minimoog and the TB303.
A synth's filter plays a major part in defining its sound, and creates the particular character of the best-loved vintage analogue models. Courtesy of its different filter cartridges, the ATC1 aims to be able to change its sound to suit your needs. Paul Nagle plugs in.
With a front panel resembling a butchered Moog Source, and plug-in filters that claim to give you the sound of various vintage brands inside one instrument, the ATC1 is bound to excite interest. Paul Nagle changes his tune.
In an age of ever‑growing polyphony, Studio Electronics, best known for their vintage synth rebuilds, have returned to first principles — to create the first analogue monosynth for almost a decade. So how does this MIDI‑equipped modern classic measure up to its vintage forbears?
In an age of ever-growing polyphony, Studio Electronics, best known for their vintage synth rebuilds, have returned to first principles — to create the first analogue monosynth for almost a decade. Minimoog owner Nick Magnus finds out how this MIDI-equipped modern classic measures up to its vintage forbears.