Synthesizers

JJ Jeczalik emerged as the pre-eminent Fairlight programmer of the 1980s primarily as one fifth of the art-pop collective, Art of Noise, but also in projects ranging from ABC and Dollar to Yes and Malcolm McLaren.

David Vorhaus of White Noise chats with Rob Puricelli about his early involvement with the Fairlight CMI and his Kaleidophon ribbon controller and Maniac sequencer inventions.