Synthesizers

This 8‑pole variable character stereo filter has an analogue core with digital control...

The Wangulator is a performance controller for Eurorack that was designed by someone with a need to get all their fingers modulating different things all at once.

The latest lavish offering from Bjooks collects some of the world’s rarest and most desirable synths between its covers.

Erica Synths’ Matrix Mixer could change the whole way you think about modular.

Analogue Solutions have taken a perfectly good synth... and made it better.

ROLI’s Equator2 is less an update than a full rebuild.

Picnic Basket contains a sequencer, Pluck physical modelling unit, a CEM3340 VCO, multimode filter, kick, reverb, ADSR envelope and random voltage generator in its 42hp-capacity Lunchbox casing.

Interesting and unique synthesis techniques seem to be plentiful of late, and the E‑RM Polygogo is no exception. It’s...

Behringer’s TD‑3‑MO isn’t just a TD‑3 with extra knobs: it’s a completely different instrument.

Korg’s Modwave is a wavetable powerhouse that can import Serum wavetables without conversion.

When Make Noise label an instrument an ‘experiment’, you know things are about to get interesting...

Modal’s SkulptSynth SE packs an awful lot of synth into a very small package.

A long way from their rackmounted Minimoogs, Studio Electronics’ SE‑3X is a four‑filtered, paraphonic monster.

If you use software synthesizers, the name U‑he will be familiar to you. Their virtual synths —...

Hyperion is a hugely capable synthesizer with a complex modular heart.

At its core, the Recombination Engine is a triple analogue VCO module based around reissue Curtis CEM 3340 VCO chips. How it combines the three, however, is quite unique...

Maestro is a six‑channel clockable and programmable LFO with an unusual button‑based front panel.

The Filtamp 1006 is a combined 24dB ladder VCF and VCA module with two mixable audio inputs, three modulation inputs, filter resonance and amplifier gain with linear or exponential control.

Arturia’s soft synth gets bigger and better.

The JD‑800 is the latest instrument to join the Roland Cloud.

Can GForce capture the character of the legendary Oberheim 8‑Voice in software?