Effects, particularly spatial effects, constitute a relatively modern facet of modular synthesis, but this need not mean they should only be used as enhancement for existing sounds created on other modules.
Grammy-winning Samuel Dixon picks his favourite sound from the records he’s made, focusing on Australian singer‑songwriter Meg Washington’s track ‘Switches’.
Paul White takes us through the history and evolution of guitar synths, from early attempts at creating onboard sounds and audio-to-MIDI pickups, through to using pedals and plug-ins to emulate synth effects.