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Synthesizers

  • 7256 Sound Modules

    Sound Modules

  • 8198 Synthesis / Sound Design

    Synthesis / Sound Design

  • 8106 Synth Secrets

    Synth Secrets

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    Synthesizing Acoustic Pianos On The Roland JX10 [Part 1]

    Synth Secrets

    As explained last month, synthesizing the sound of an acoustic piano is difficult, but it can be done reasonably realistically, as the 1986-vintage Roland JX10 shows. We find out how Roland managed it...

    Techniques Nov 2002
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    Synthesizing Pianos

    Synth Secrets

    Surely the only convincing synth pianos are sample-based ones? A sound as rich and expressive as that of an acoustic piano is far too complex to be rendered by subtractive synthesis... isn't it? Let's find out...

    Techniques Oct 2002
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    Synthesizing Cowbells & Claves

    Synth Secrets

    Having learned last month how to synthesize tuned bells, we turn this time, in the last of this series on the subject of percussion, to untuned bells — in the form of the humble cowbell — and claves.

    Techniques Sep 2002
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    Synthesizing Bells

    Synth Secrets

    Having come up last month with a reasonably realistic cymbal patch, it's time to take the principles of synthesizing metallic percussion one stage further, and produce bell sounds. But there's more to this than you might think...

    Techniques Aug 2002
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    Practical Cymbal Synthesis

    Synth Secrets

    Synthesizing realistic cymbals is complex, but not impossible — after all, over 20 years ago, Roland's TR808 drum machine featured synthesized cymbals. We look at how they managed it, and attempt to create cymbals on another affordable analogue synth.

    Techniques Jul 2002
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    Synthesizing Realistic Cymbals

    Synth Secrets

    Having analysed the complex process by which a cymbal makes its sound, it's time to synthesize our own...

    Techniques Jun 2002
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    Analysing Metallic Percussion

    Synth Secrets

    The task of synthesizing convincing metallic percussion defeated many synth giants — you only need to listen to Kraftwerk's weedy cymbals on 'The Model' to be persuaded of that. So why is it so difficult? We find out...

    Techniques May 2002
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    Practical Snare Drum Synthesis

    Synth Secrets

    Last month, we revealed just how hideously complex the sound-producing mechanism of the snare drum can be. Nevertheless, synthesizing the sound is not as hard as it seems, as we find out with the aid of a Roland SH101...

    Techniques Apr 2002
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    Synthesizing Drums: The Snare Drum

    Synth Secrets

    If you thought synthesizing realistic bass drums was complex, that's nothing compared to snares. So how is it that the analogue snare sound is so well known? And how do you go about creating it? We find out...

    Techniques Mar 2002
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    Practical Bass Drum Synthesis

    Synth Secrets

    Moving from last month's theoretical bass drum synth patch to its practical application on affordable analogue synths, we also take a look at how the world's most famous drum machines produce this fundamental rhythm sound.

    Techniques Feb 2002
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    Synthesizing Drums: The Bass Drum

    Synth Secrets

    Ever wanted to synthesize unpitched membranophones? No? Well, you might if you knew that bass and snare drums are of this percussion type. We show you how...

    Techniques Jan 2002
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    Practical Percussion Synthesis: Timpani

    Synth Secrets

    Building on the theory of what makes up the sound of timpani, this month's Synth Secrets reveals how to synthesize realistic kettle drums using a Korg MS20 and a Yamaha DX7.

    Techniques Dec 2001
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    Synthesizing Percussion

    Synth Secrets

    Synth Secrets turns its attention to the synthesis of percussion instruments, beginning with pitched drums.

    Techniques Nov 2001
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    A Final Attempt To Synthesize Guitars

    Synth Secrets

    Having proved that subtractive synthesis of an acoustic guitar is completely impractical, Gordon Reid tries his hand at the electric variety, and deconstructs some past attempts to emulate the sound via analogue means.

    Techniques Oct 2001
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    The Theoretical Acoustic Guitar Patch

    Synth Secrets

    Having explained last month the reasons why analogue synthesis of guitar sounds should be well-nigh impossible, Gordon Reid puts the theory to the test...

    Techniques Sep 2001
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    Synthesizing Plucked Strings

    Synth Secrets

    Having dealt exhaustively with the mechanics of brass instruments and how to go about synthesizing them, we turn to instruments that use plucked strings to generate their sound, taking the complexities of the acoustic guitar as an example.

    Techniques Aug 2001
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    Roland SH101 & ARP Axxe Brass Synthesis

    Synth Secrets

    Gordon Reid concludes his attempts to adapt an idealised analogue brass patch so that it can be programmed on real synths. This month, he looks at the Roland SH101 and ARP Axxe.

    Techniques Jul 2001
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    Brass Synthesis On A Minimoog

    Synth Secrets

    Last month we looked at how analogue modules can reproduce the sound of a real trumpet. All very well if you own a wall-sized modular system — but what if your means are more limited? Gordon Reid adapts theory to practice with a Minimoog.

    Techniques Jun 2001
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    Synthesizing Brass Instruments

    Synth Secrets

    Gordon Reid builds on the acoustic theory of wind and brass instruments he introduced last month, and explains how to produce a convincing analogue trumpet sound.

    Techniques May 2001
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    Synthesizing Wind Instruments

    Synth Secrets

    Gordon Reid embarks on a journey to synthesize convincing woodwind and brass. This month, he considers how these instruments make their sounds in real life.

    Techniques Apr 2001
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    Formant Synthesis

    Synth Secrets

    Ever heard a synth talk? If you have, it's due to formant synthesis. Gordon Reid explores the theory of analogue formant synthesis, how it relates to the human voice and modern digital synths like Yamaha's FS1R.

    Techniques Mar 2001

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