Synthesizers

After putting all our bowed-string synthesis theory into practice on a Korg 700 last month, we found that the result was only acceptable as a string sound with a lot of wishful thinking. Can we improve on it?

Having looked at the mechanics of how a bowed string instrument generates its sound last month, it's time to put these principles into practice, using nothing more complex than a miniKorg 700 monophonic synth...

Following our success at synthesizing the sound of analogue string machines, we hone our techniques with a view to recreating the sound of the real thing...

Pulse-width modulation is a vital tool in achieving lush-sounding synthesized string pads — so what if your synth doesn't have it? Fear not, for PWM can itself be synthesized. Here's how...

Analogue synths can't synthesize every sound, but the attempts made to replicate the sound of orchestral strings were so successful that so-called string machines became much-loved instruments in their own right. We begin a voyage into the world of synthesized strings...

The Microwave synths are complex beasts, so here are some hands-on tips to help you get the creative results you're after, without spending all your time programming.

When trying to copy a real piano with an analogue synth, if one patch doesn't quite do it, two just might...

How did they make that sound on a subtractive synth? We continue to dissect the analogue 'Acoustic Piano' Performance from Roland's 1986-vintage JX10.

As explained last month, synthesizing the sound of an acoustic piano is difficult, but it can be done reasonably realistically, as the 1986-vintage Roland JX10 shows. We find out how Roland managed it...

Surely the only convincing synth pianos are sample-based ones? A sound as rich and expressive as that of an acoustic piano is far too complex to be rendered by subtractive synthesis... isn't it? Let's find out...

Having learned last month how to synthesize tuned bells, we turn this time, in the last of this series on the subject of percussion, to untuned bells — in the form of the humble cowbell — and claves.

Having come up last month with a reasonably realistic cymbal patch, it's time to take the principles of synthesizing metallic percussion one stage further, and produce bell sounds. But there's more to this than you might think...

Synthesizing realistic cymbals is complex, but not impossible — after all, over 20 years ago, Roland's TR808 drum machine featured synthesized cymbals. We look at how they managed it, and attempt to create cymbals on another affordable analogue synth.

Having analysed the complex process by which a cymbal makes its sound, it's time to synthesize our own...

The task of synthesizing convincing metallic percussion defeated many synth giants — you only need to listen to Kraftwerk's weedy cymbals on 'The Model' to be persuaded of that. So why is it so difficult? We find out...

Last month, we revealed just how hideously complex the sound-producing mechanism of the snare drum can be. Nevertheless, synthesizing the sound is not as hard as it seems, as we find out with the aid of a Roland SH101...

If you thought synthesizing realistic bass drums was complex, that's nothing compared to snares. So how is it that the analogue snare sound is so well known? And how do you go about creating it? We find out...

Moving from last month's theoretical bass drum synth patch to its practical application on affordable analogue synths, we also take a look at how the world's most famous drum machines produce this fundamental rhythm sound.

Ever wanted to synthesize unpitched membranophones? No? Well, you might if you knew that bass and snare drums are of this percussion type. We show you how...

Building on the theory of what makes up the sound of timpani, this month's Synth Secrets reveals how to synthesize realistic kettle drums using a Korg MS20 and a Yamaha DX7.

Synth Secrets turns its attention to the synthesis of percussion instruments, beginning with pitched drums.