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Synthesizers

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    Synth Secrets

Displaying 1 - 12 of 12 items
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    Synth School: Part 12 (of 12)

    The Way Ahead

    Will physical modelling continue to be at the leading edge of synthesis, or are there other methods moving up on the inside tracks? Paul Wiffen winds up the Synth School series with a little crystal ball-gazing.

    Techniques Oct 1998
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    Synth School: Part 11

    Modelling Strings & Wind Instruments

    In the penultimate part of his series on synthesizer technology, Paul Wiffen turns his attention to the problem of emulating acoustic instruments in which the sound is produced by a string or reed, and amplified and modified by the body of the instrument.

    Techniques Sep 1998
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    Steve McNally: Sound Programmer

    Sound Design

    Do you ever wonder who's responsible for the waveforms and sound patches in your favourite synth? If it's a Korg keyboard, then the answer might be Steve McNally, one of the team of sound developers.

    People Aug 1998
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    Synth School: Part 10

    Modelling Electric Instruments

    Last month, Paul Wiffen looked at how virtual synthesis can emulate analogue synths whilst going beyond their hardware-based limitation. Now he looks at its applications for imitating and exceeding older instruments such as electric piano and organ.

    Techniques Aug 1998
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    Synth School: Part 9

    The Imitation Of Analogue

    Physical Modelling and Virtual Synthesis have been buzzwords for several years now, especially when it comes to imitating analogue synthesis. But what are their advantages and disadvantages, and how do they work? Paul Wiffen explains.

    Techniques Jul 1998
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    Synth School: Part 8

    Wave Sequencing To Z-Plane Synthesis

    Paul Wiffen continues to examine transitional synthesis, covering the Wave Sequencing facility, first introduced on the innovative Korg Wavestation, and concluding with Emu's Z-plane technique, which may be regarded as bridging the gap between S&S and today's physical modelling.

    Techniques Jun 1998
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    BOB MOOG: Pioneering Synths

    Interview | Manufacturer

    Paul White talks to one of the seminal figures of the electronic music era, pioneering synthesizer designer Bob Moog.

    People May 1998
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    Synth School: Part 7

    Transitional Synthesis

    Between the extremes of the broad brushstrokes of subtractive synthesis and the painstaking detail of additive, there have existed many hybrid styles of synthesis combining the speed of the former with the precision of the latter. Paul Wiffen traces the development of this middle ground through its successes and heroic failures.

    Techniques Apr 1998
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    Paul Nagle: Northern Exposure

    Electronic Musician

    Writer and electronic musician Paul Nagle successfully combines a day job with live performance and regular CD releases. Paul White zooms up the M6 and comes in for a landing at his well-stocked studio.

    People Feb 1998
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    Synth School: Part 6

    Building On PCM — The Next Generations

    The ball of S&S synthesis had been thrown, and most of the big names in synthesis caught it and ran with it, scoring some notable goals in the process. Paul Wiffen continues his chronicle of modern synthesis with a look at the state of play from the late '80s to the present day.

    Techniques Feb 1998
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    Alan Wilder: Recoil

    Unsound Methods

    Anyone in any doubt as to the popularity of Depeche Mode should see this man's studio. Alan Wilder, formerly the programming powerhouse of the group, and now striking out on his own, has poured the profits of his years with the Mode into this astonishing home setup. Here he talks about the studio, his new album, and his days with Depeche.

    People Jan 1998
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    Yamaha VL70m

    Breath-controller Sequencing Workshop

    Paul White finds a few ways around the restricted breath-control facilities of the Yamaha VL70m.

    Techniques Jan 1998
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