The Radias is described by Korg as a synth and vocoder, but that's somewhat modest — it manages to cram analogue modelling, S&S, FM and formant synthesis into its stylish frame, plus a host of sound-shaping and triggering facilities. Plus that vocoder...
We finish our in-depth examination of Korg's new mega-workstation, taking in the remaining synth engines, the sampler, the KARMA algorithms and the onboard sequencer, and draw our conclusions about it...
For over 15 years, Korg have produced the world's most successful workstation synths, and the OASYS is their new £5400 flagship, their attempt to take the concept to the next level. In the first instalment of our two-part in-depth test, we assess how they have fared...
Long before its debut this Spring, the new keyboard workstation from Korg was already the subject of much speculation. We find out what's really going on inside the OASYS's sleek metal case.
This new member of the Korg tribe offers synthesis, sequencing, drum programming, tons of real-time control plus genuine valves to light up your studio and your sound.
Korg's Electribe grooveboxes presented their analogue-modelling technology in an affordable, dance-friendly format and were a smash success. Now, using the MS2000 virtual analogue synth as a starting point, they're hoping for similar budget triumph with the fun-sized Microkorg...
Korg's Trinity and Triton have led the workstation market for so long that updating the concept can't have been easy — after all, how do you improve the best? So what's new in the Triton Studio, and will it keep Korg ahead?
The all-time best-selling synthesizer, Korg's M1 laid the groundwork for synths that followed. We go behind the scenes to reveal the secrets of its success.
It may not be well known, but it is sought-after. Simon Lowther relates the history and mystery of an early 48-note polyphonic analogue synth and its well-connected family.
Korg follow up their top-flight Triton workstation with a sophisticated rackmount expander. The new model sacrifices some features but enhances many others and adds support for the mLAN music network standard. Simon Trask racks it up.
Some people rage against GM food: hi-tech musicians on the other hand, rage against GM synths. But how justified is their hostility? Nicholas Rowland takes on Korg's latest black box...
In all the fuss about last month's launch of the Triton keyboard, you'd be excused for having overlooked Korg's other new products — the diminutive Electribe EA1 synth and ER1 beatbox. As Chris Carter discovers, you won't be able to ignore them for long...
Korg's Trinity workstation has, like their earlier instruments, become virtually an industry standard — but far from resting on their laurels, the company have upped the ante still further with the new Triton. Derek Johnson and Debbie Poyser provide an exclusive hands-on review.
The latest product of Korg's long-established A1 synthesis technology, the N1R module may not break any ground, but it bristles with great sounds and is a cinch to edit. Paul White feels thoroughly Nlightened...
Do you ever wonder who's responsible for the waveforms and sound patches in your favourite synth? If it's a Korg keyboard, then the answer might be Steve McNally, one of the team of sound developers.