Synthesizers

Can the Synclavier Regen live up to the near legendary status of its ancestors?

Hazel Mills talks us through her impressive career, from working as a touring session musician, being a member of the Will Gregory Moog Ensemble, working with synth maker UDO Audio and releasing her debut solo EP.

GForce’s software Mellotron just keeps getting better.

Intellijel pack their considerable Eurorack experience into a single standalone synth.

The Molten Motion Meter is the fruit of a collaboration between Robin and DIY‑leaning Eurorack company Befaco.

In the biscuit barrel of modular, ACRONYM is a chocolate Hobnob dunked into a chilli mochaccino.

Arushi Jain has toured the world over as Modular Princess, with a critically acclaimed brand of electronic composition infused with the influence of Hindustani classical music.

Roland’s SH‑101‑inspired S‑1 is a great‑sounding synth with surprising depth.

UJAM’s Usynth range is about getting good results quickly, and GLAM is no exception.

ZAPS is designed for fast, percussive sounds that spit, splat, zip and zap, although it won’t shy away from the odd melody either.

Having joined the team at Moog Music back in 2015, product strategist Max Ravitz was a key player in the development of the widely lauded Moog Mother‑32.

Alan R Pearlman founded Tonus in 1969, a company that would soon become ARP Instruments, and began producing synthesizers such as the legendary ARP 2500, 2600 and Odyssey.