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Synthesizers

  • 7256 Sound Modules

    Sound Modules

  • 8198 Synthesis / Sound Design

    Synthesis / Sound Design

  • 8106 Synth Secrets

    Synth Secrets

Displaying 1 - 14 of 14 items
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    Practical Percussion Synthesis: Timpani

    Synth Secrets

    Building on the theory of what makes up the sound of timpani, this month's Synth Secrets reveals how to synthesize realistic kettle drums using a Korg MS20 and a Yamaha DX7.

    Techniques Dec 2001
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    Synthesizing Percussion

    Synth Secrets

    Synth Secrets turns its attention to the synthesis of percussion instruments, beginning with pitched drums.

    Techniques Nov 2001
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    A Final Attempt To Synthesize Guitars

    Synth Secrets

    Having proved that subtractive synthesis of an acoustic guitar is completely impractical, Gordon Reid tries his hand at the electric variety, and deconstructs some past attempts to emulate the sound via analogue means.

    Techniques Oct 2001
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    The Theoretical Acoustic Guitar Patch

    Synth Secrets

    Having explained last month the reasons why analogue synthesis of guitar sounds should be well-nigh impossible, Gordon Reid puts the theory to the test...

    Techniques Sep 2001
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    Synthesizing Plucked Strings

    Synth Secrets

    Having dealt exhaustively with the mechanics of brass instruments and how to go about synthesizing them, we turn to instruments that use plucked strings to generate their sound, taking the complexities of the acoustic guitar as an example.

    Techniques Aug 2001
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    Roland SH101 & ARP Axxe Brass Synthesis

    Synth Secrets

    Gordon Reid concludes his attempts to adapt an idealised analogue brass patch so that it can be programmed on real synths. This month, he looks at the Roland SH101 and ARP Axxe.

    Techniques Jul 2001
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    Crumar Spirit (Retrozone)

    Analogue Monosynth

    If the Crumar Spirit is one of the best analogue monosynths the world has ever known, how come you've never heard of it? Gordon Reid explains...

    Reviews Jul 2001
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    Brass Synthesis On A Minimoog

    Synth Secrets

    Last month we looked at how analogue modules can reproduce the sound of a real trumpet. All very well if you own a wall-sized modular system — but what if your means are more limited? Gordon Reid adapts theory to practice with a Minimoog.

    Techniques Jun 2001
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    Synthesizing Brass Instruments

    Synth Secrets

    Gordon Reid builds on the acoustic theory of wind and brass instruments he introduced last month, and explains how to produce a convincing analogue trumpet sound.

    Techniques May 2001
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    Synthesizing Wind Instruments

    Synth Secrets

    Gordon Reid embarks on a journey to synthesize convincing woodwind and brass. This month, he considers how these instruments make their sounds in real life.

    Techniques Apr 2001
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    Alesis A6 Andromeda

    16-Voice Analogue Synthesizer

    Looking like a star cruiser, or something from the film 2001 (rather than just the year), Alesis' Andromeda is the first analogue polysynth that approaches the complexity of a digital workstation. But does analogue necessarily equate to quality?

    Reviews Apr 2001
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    Formant Synthesis

    Synth Secrets

    Ever heard a synth talk? If you have, it's due to formant synthesis. Gordon Reid explores the theory of analogue formant synthesis, how it relates to the human voice and modern digital synths like Yamaha's FS1R.

    Techniques Mar 2001
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    From Springs, Plates & Buckets To Physical Modelling

    Synth Secrets

    Onboard effects may seem like a relatively recent synth innovation, but even old modular synths offered analogue effects. Although they were basic, the freely patchable nature of modular synths allowed them to be used to create convincing acoustic instrument sounds — thus effectively physical modelling. Gordon Reid explains how.

    Techniques Feb 2001
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    From Polyphony To Digital Synths

    Synth Secrets

    This time, Gordon Reid explains how various analogue synth manufacturers attempted to create workable polyphonic synths by employing digital technology.

    Techniques Jan 2001
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