We take another look at Reason's endlessly useful Combinator.
Did the first full year of incremental Pro Tools updates justify the cost of our subscriptions?
How do you record a piano and drum kit in a modest live room, at the same time? Our engineer explains his approach...
Solutions to mixing problems can sometimes be found in your arrangement...
The minimal arrangement of Ellie Goulding's unlikely New Year number one was underpinned by a rather less minimal mix...
M‑S miking is easy to set up, offers plenty of options at mixdown, and has some unique advantages over other stereo arrays. So if you've not yet tried it, why not give it a go?
Here's how to manipulate pitch and time in Logic Pro X.
Chris Rabold has gone from selling T-shirts out of a van to mixing Bruno Mars' epic two-year 24K Magic tour.
Cubase 10.5's Padshop 2 granular synth can create wonderfully engaging pads from any sample.
Luke Combs' anthemic songs have crossed over from the country world to top mainstream charts. We talk to the production team behind his massive hit singles.
Pro Tools offers numerous ways to beef up an anaemic low end. We show you how...
After a few last stereo adjustments, it's time to prepare your Studio One masters for release.
Reaper's multichannel WAV support makes comping multitracks a breeze.
We show you how to use Reason as a plug-in within Ableton Live.
Our engineer visits a reader's home studio to help improve his mixes, and shows that you can get great results from even the modest of monitors.
We look at how you can use MIDI velocity to manipulate Live and route notes to different instruments.
Speed up your Logic Pro X workflow with these time-saving tips.
Could Cubase 10's Channel Settings window become your go-to mixing tool?
Do your virtual acoustic drum parts never seem to work in the context of a mix? Here's how to fashion more natural and compelling results...
There's more to Avid's Pro Expander plug-in than meets the ear...