After unknown busker Tones and I teamed up with unknown producer Konstantin Kersting, she soon became very well known indeed!
We show you how to work with irregular tempos and rhythms in Live.
We explore three of the MasterWorks processors: MW FET‑76, MW Leveler and MW Compressor.
VCA (voltage-controlled amplifier) faders don't pass audio. Rather, they act as 'remote controls' for other faders: assign a...
When producer Sam Williams discovered Supergrass, he knew he had to capture the band's infectious energy on tape.
Guest engineer Andy Brook discusses his approach to recording the legendary British rockers' 33rd studio album.
With spill between instruments and bleed from backline and monitors, live‑performance recordings present unique mixing...
With a little TLC and the right miking technique, even the most neglected piano can produce great recordings.
With spill between instruments and bleed from backline and monitors, live-performance recordings present unique mixing challenges. At London's PLASA show, Miloco Studios' engineer Jamie McEvoy explained how to get a great result.
These audio examples accompany our Upright Piano miking workshop from SOS December 2019.
We dish the dirt on Distroyer, the new distortion plug-in introduced in Cubase 10.
These audio examples accompany our Cubase workshop about Distroyer, the new distortion plug-in introduced in Cubase 10.
We look at the sweetening tools on offer for mastering in Studio One.
Snapshot automation in Pro Tools Ultimate can be a huge time-saver.
With Reason now available as a plug-in, there's plenty to get to grips with for new and old users alike.
Logic's Modulator MIDI plug-in offers some exciting ways to add movement to your music. Find out how...
We show you how to get Live playing nicely with Reason 11.
Modern rap might be minimalist, but that doesn't mean it's easy to mix — especially when, as on DaBaby's Kirk album, the vocals were tracked in a hotel room.
It might be set in the '20s, but Downton Abbey certainly isn't a silent movie! We talk to the team behind its state-of-the-art sound production.
Our engineer weighs up the benefits and pitfalls of a 'stems-only' approach to mixing and mastering an album for a self-recording band.