In a world where almost everyone is mixing ‘in the box’, Mark Ralph and Clean Bandit have gone the other way.
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Most of the music tech software and gear we use has some concept of recording and reproducing parameter changes. We take a tour of Reason’s extensive automation facilities.
Last month I wrote about techniques for handling narration in Studio One, but I did not mention a tool that...
If you’re not blessed with flawless piano keyboard skills, don’t worry, Cubase can help.
Avid’s new ‘little and often’ update strategy is delivering some really useful improvements. We look over the most recent.
The brief for supplying a sound system for a youth piano concert was to make the rig look and sound as transparent as possible...
To mark its 50th anniversary, two bands have taken to the stage to pay homage to Wendy Carlos’s classic crossover album Switched-On Bach.
We delve into Live’s sophisticated new audio delay effect, Echo.
A list of all articles that hold associated media files for October 2018 audio examples. You'll find links in the...
We offer tips on working with speech in Studio One.
Turn hardware monosynths into software polysynths by auto-sampling in Logic’s companion app, MainStage.
The songs of ABBA are reaching new generations of fans, thanks to a second hit musical movie. Bernard Löhr was the engineer who recaptured them!
Create an auto-ducking talkback facility using Reaper’s ReaGate plug-in.
Create robotic vocal effects using Cubase’s in-built tools.
Headphones are central to music-making and music listening. But can we trust what they’re telling us? We ask the experts...
Become a Cakewalk power user with these handy hints.
Live has a few tricks up its sleeve to add variety to your drum patterns.
To get the most from Pro Tools, you need an extended keyboard — and here’s why.
A list of all articles that hold associated media files for September 2018 audio examples. You'll find links in the...