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A TOUCH OF MAGIC
Emagic Notator Logic 1.2
When Gerhard Lengeling and Chris Adam left C-Lab to form their own company, they took their new baby, Notator Logic, with them. Kendall Wrightson assesses Emagic's 'object oriented' Mac MIDI sequencer.
Dr T's KCS; STEINBERG: Cubase Windows - the undiscovered country, PC-MIDI interfaces Part 1: expansion slot type
Dr T's KCS; Steinberg: Cubase Windows - the undiscovered country, PC-MIDI interfaces Part 1: expansion slot type.
Heavenly Music MIDI File Format Patterns
Heavenly Music's range of standard MIDI files on disk include quality drum and bass patterns. Derek Johnson puts them to work.
Passport Musicime PC Scoring Software
Looking for affordable notation software for the PC? Brian Heywood investigates Passport's answer to the problem - MusicTime.
PEAVEY SPECTRUM BASS
Peavey Spectrum Bass Digital Phase Modulation Synthesizer
No brass, no flutes, no drums, no effects - just bass, bass, and more bass. Derek johnson feels the earth move as he puts Peavey's Spectrum Bass module through its paces.
Phonic PMX1600A Mixer
Looking for a low-cost yet versatile compact mixer? Derek Johnson believes he's found one.
Roland SP700 Sample Player
Wilf Smarties checks out this sub-£1900 sample playback module that reads fluent Akai!
Lexicon Alex Digital Effects Processor
Alex brings the famous Lexicon reverb sound within reach of musicians and home/MIDI studio owners, and throws in chorus, flanging and delay effects for good measure. Paul White, Editor of our sister magazine Recording Musician, enters deep space...
There's no shortage of in-line, low cost desks on the market - an odd time, you might think, for Studiomaster to launch their first in-line mixer. The P7, however, offers very worthy competition to the more established models, as Ian Gilby discovers.
Tascam MM200 Keyboard Mixer
Tascam's MM200 isn't just another eight stereo channel mixer - Derek Johnson finds out what difference on-board MIDI routing plus a BBE Enhancer can make.
People + Opinion
A ROOM OF MY OWN
Producer and re-mixer John Crosley takes Nigel Humberstone on a guided tour of his personal workspace.
THE ORB: It came from outer space
The Orb: It Came From Outer Space
The Orb's ambient experiments have transformed dance music and put the longest single ever released into the UK charts. Mark J. Prendergast hears what Thrash and Alex Paterson have to say about it all.
WHO'S THAT BLOKE WITH WIX?
Paul 'Wix' Wickens
Q: What do Paul McCartney, Barry Manilow, Tasmin Archer and The Damned have in common? A: Paul 'Wix' Wickens. Mark Cunningham hears about playing keys with the Fab One, and about how to produce a No. 1 single without even knowing it...
DRUM PROGRAMMING: Part 13
Drum Programming: A Series By Warren Cann: Part 13
You may have fantastic drum patterns booming in your head, but how do you achieve that sound in real life? This month we cogitate about kits, keyboards and controlers.
Large Diaphragm Mics explained
High-quality large diaphragm mics are used in the recording of many a hit - David Mellor explains why they are worth their weight in gold.
INDEX TO ARTICLES
Index To Articles: Nov 1985 - April 1993
Index to Articles from November 1985 to April 1993.
OPTICAL: ILLUSION OR REALITY?
Optical Media: Illusion Or Reality?
The rise of optical media for data storage has provided answers to many of the problems thrown up by ever more powerful samplers and digital audio systems. Yasmin Hashmi takes a look at where optical technology has been, and where it's going in the future.