Welcome to the SOUND ON SOUND web site, the home of the world's premier music recording technology magazine.

We've been publishing our print magazine since 1985, growing in reputation and stature year-on-year. Our web site came later, housing our vast, continually-expanding, archive of highly informative articles (from January 1994 to the present day).

Every month, SOS print/online/tablet magazine delivers an unequalled mix of detailed, hands-on Product Tests of cutting-edge music hardware/software, covering all aspects of sound acquisition, editing and playback. Our producer/engineer/musician Interviews are second to none and there's a goldmine of "how to" Workshops and Tutorials (in the Technique section) to help you get the most out of your gear — whatever your level of expertise.

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Articles on this site generally fall into 5 broad categories:

SOS is one of the few magazines in any sector to publish the entire editorial contents of our current print magazine in an online format (we call this the Web Sub), for the benefit of our ever-growing global community of subscribers. Some of the regular columns (eg. Sounding Off, Leader etc) and some teaser reviews are free for everyone to access. After 5 months, we unlock the current issue and add its articles to the 12,000+ available FREE on soundonsound.com via the SOS Search page, ready to answer your many questions and assist you in selecting the most appropriate tools for your music recording activities.

Here are links to just a few of the most recent articles...

Artists/Engineers/Producers

75 Years Of The Shure Unidyne 55

One Direction

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In 1939, Shure revolutionised the music industry with a microphone so successful that it is still in production today!

Jacquire King: Producing James Bay

Video Feature

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We visit the world-famous Blackbird Studios in Nashville to meet Jacquire King, the Grammy-winning producer of James Bay’s Chaos And The Calm.

Inside Track: James Taylor's Before This World

Secrets Of The Mix Engineers: Dave O’Donnell

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The art of music production lies in serving the song — and working with James Taylor, Dave O’Donnell felt that modern production trends would hinder his aim of capturing emotive performances.

John Chowning

Pioneer Of Electronic Music & Digital Synthesis

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A visionary in the field of electronic music, John Chowning invented FM synthesis and set up CCMRA, one of the world’s most influential research centres.

Richard King: How To Record Acoustic Ensembles

Recording Yo-Yo Ma

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Engineer Richard King has brought the art of ensemble recording to new heights in both classical and folk/pop spheres.

Throbbing Gristle ‘Hamburger Lady’

Classic Tracks

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Throbbing Gristle’s highly individualist approach to music extended as far as making their own instruments and, ultimately, their own genre.

Inside Track: Josh Groban’s album Stages

Secrets Of The Mix Engineers: Andy Selby & Bernie Herms

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A combination of technical wizardry and old-school craft helped Bernie Herms and Andy Selby bring Josh Groban’s Broadway album to life.

Pete Keppler

Mixing Bowie, NIN & Katy Perry

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Pete Keppler’s career has seen him mix shows for some of the biggest artists in the world. We asked him how it all happened.

Slaves - Are You Satisfied

Jolyon Thomas: Producing Are You Satisfied?

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The success of Slaves’ debut album depended on producer Jolyon Thomas finding a way to bottle their raw live energy.

Vlado Meller

Mastering Engineer

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As one of the world’s leading mastering engineers, Vlado Meller has enjoyed great success — and his share of controversy.

Moses Schneider: Drums With Character

Video Feature

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In this video interview we meet the so-called “Einstein of live recording” to talk production, drum processing and when (and when not) to quantise.

‘Voodoo Ray’ by A Guy Called Gerald

Classic Tracks

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Hailed as the first British acid house single, A Guy Called Gerald’s sublime ‘Voodoo Ray’ has since become a classic in its own right.

Faith No More

Bill Gould: Recording Sol Invictus

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Recording and producing your own music is always a challenge — especially if, like Faith No More, your previous albums have been done by the best in the business!

Inside Track: Alabama Shakes’ Sound & Color

Secrets Of The Mix Engineers: Shawn Everett

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In the making of Alabama Shakes’ Sound & Color, producer Blake Mills and engineer Shawn Everett had almost unheard–of licence to experiment — and took full advantage.

Oasis & Britannia Row: Live At Knebworth

Super Sonics

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Oasis’s 1996 gig at Knebworth marked the end of an era for point–source PA. We asked the people who made it happen what has changed since.

Scoring I Survived A Zombie Apocalypse

Andrew Barnabas & Paul Arnold

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How do you write music for a TV show you haven’t seen yet? It helps if you can draw on years of experience composing for video games...

Funkhaus Berlin Studio Tour

Video Feature

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Built in the '50s as the broadcast headquarters for the GDR’s state radio, this complex is home to some of the world's most breathtaking recording studios.

Cenzo Townshend: Decoy Studios & The Maccabees

Video Feature

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Mix engineer Cenzo Townshend gives us a tour of his new studio and shows us the techniques behind his mix of ‘Marks To Prove It’.

Hot Chip

Alexis Taylor, Joe Goddard & Mark Ralph: Recording Why Make Sense?

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Down in Hot Chip’s bunker-like basement studio HQ in Hoxton, the five members of the London band are coaxing strange sounds from an array of analogue synths.

 

Audio Interfaces | Recording Systems

Microphones

Keyboards

Synth Workstations

Music Software | Plug-ins

Studio Monitors

Mic Preamps

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Avid PRO TOOLS techniques

Apple LOGIC techniques

Cakewalk SONAR techniques

Steinberg CUBASE techniques

Propellerhead REASON techniques

Motu DIGITAL PERFORMER techniques

Presonus STUDIO ONE techniques

Mixers

Effects

Stereo/Portable Recorders

 

September 2015
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DAW Techniques

 

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