SOUND ON SOUND
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Until now, the Soyuz range has been occupied exclusively by capacitor mics, but their latest announcement sees them introduce a newly designed dynamic model.
Drawmer say that their latest release has been designed to offer a modern take on the classic channel strip, combining a versatile mic preamp with a comprehensive EQ section and vintage-style compression.
Designed for audio professionals who need to retain precise control over the transparency of their source material even when applying heavy-handed processing, APEX promises to deliver impressive results thanks to a unique adaptive algorithm.
For this month’s exclusive SOS competition, we’re giving you the chance to win the impressive Osmose 61 MPE synthesizer from Expressive E, worth £1999$1999.
Universal Audio's latest release provides recording guitarists with a wealth of amp, cabinet and effects modelling capabilities in one self-contained plug-in.
Neural DSP’s renowned Quad Cortex and Nano Cortex amp and effects modelling platforms have both just been treated to major updates that introduce some powerful new features.
Paul White and Hugh Robjohns pick their hardware and software highlights from the gear they've reviewed in the last 12...
With switchable input impedance, dual compression voicings and a semi‑parametric EQ on board, the Pro Channel III certainly offers tonal versatility. Could it be your next ‘front end’?
Elegantly combining analogue and digital, and balancing programming with performance, the TR‑1000 is the best drum machine Roland have ever made.
With our nu‑disco tune mixed and mastered, we turn our attention to distributing and promoting it...
What does the latest version of Cubase have in common with the 1982 science fiction movie Tron?
I’m about to flex my credit card and get a Tascam Studio Bridge, but I need an SD card for it. What should I be buying to get the best performance without wasting money?
In recent years, French company Arturia have steadily been growing their collection of effects plug‑ins, and now a recreation of the Studer J37 joins the line-up.
With their precision engineering and distinctive white waveguides, the One series put Amphion on the studio map. And now they’ve got even better.
A vintage German console EQ gets a new lease of life in 500‑series format.
The OC‑S10 is a premium vehicle for Austrian Audio’s highly regarded CKR‑12 microphone capsule.
William Basinski’s archival recording project gained a life of its own when the tapes began to deteriorate, and then took on a new significance in the wake of the September 11th attacks.
Focal’s latest studio‑focused headphones aim to deliver reference‑quality monitoring in a closed‑back format.
The user interface has always been a barrier to FM synthesis. Can Fors’ elegant approach make it more accessible?
Grace Design have brought their considerable expertise to the audio interface arena.