Product Review - Behringer C5A & C50A

Article Preview :: Active Monitors


Reviews : Monitors


Behringer’s take on the classic Auratones won’t break the bank — but will they help you make those crucial mix-balancing decisions?
Mike Senior
Although long discontinued, the Auratone 5C Super Sound Cube still has a well-deserved reputation as an exceptional mix-balancing tool. For the latest generation of mix engineers, Avantone Pro’s current homage to that single-driver, closed-box design, the MixCube, provides an excellent modern substitute. I explain many of the merits of such speakers in my review of the Active MixCube in SOS June 2010: www.soundonsound.com/sos/jun10/articles/mixcubeactives.htm. Now, however, Behringer have also decided to target this market niche with their two new Behritone speakers, the C5A and the C50A, promising similar functionality at a fraction of the cost.
Cosmetically, the wood-finished C5A and glossy black C50A offer the sincerest form of flattery to the Auratone 5C and MixCube Active, respectively, and appear to be voiced accordingly, with the C5A being more restricted in the frequency domain. Both cabinets are 5cm longer than their cube-shaped muses, the extra depth accommodating a separate sealed amplifier/PSU compartment at the rear. Each speaker has its own Class-D amp, rated at 30W (RMS).
The two back panels are essentially identical, featuring XLR, TRS and RCA phono inputs for balanced/unbalanced input signals, as well as a small ±6dB trim control. Both units are magnetically shielded and follow Avantone’s lead in providing rubber non-slip matting on the underside of the speaker, with a 5/8-inch threaded socket (and 3/8-inch adaptor) for stand-mounting purposes.
...

That's all folks!! To Continue reading...

Option 1:  Login to open this eSub article
  • To access the full-length version of this eSub HTML web article (with images), enter your registered Subscriber PIN (or Email) plus your registered Password into the LOGIN box at the top of this page.
  • Your eSub does not include free access to PDF articles. You should buy and download them if required (see below).
Option 2:  Buy this SOS article in Adobe PDF format
  • Buy this article now for $1.49 and immediately download the electronic PDF version to your computer.
  • PDF pages look identical to the printed magazine layouts but exclude advertisements
  • Click the "Buy PDF" logo below to make your purchase

 

What's my Sub PIN?

If you have a print subscription but have not yet activated your eSub online access, please inform us and email your name/address details to: subscribe@soundonsound.com

SOS staff will verify your subscription status, activate your online access and notify you of our actions.

I am NOT a Subscriber
  • SOS locks most recent magazine web articles for 5 months after they go live on our site. Then we unlock most articles and make them publicly available — some remain locked and require an active subscription to read them online.
  • Buy a subscription to open eSub articles (see offer below).
  • Alternatively, buy Acrobat PDF magazine article files for 0.99 GBP (99p [USD $1.49]). Just click the  Buy PDF link at the top-right of the web pages to purchase/download PDFs (credit cards and PayPal accepted) or select them from this Shop pagethis Shop page
What is the lowest cost to Subscribe?
A 3-issue eSub web subscription is great value at only £ 9.00 GBP [US$ 13.50] and it lets you instantly read the current and next 2 online magazines — PLUS it unlocks ALL past eSub issues during your sub period.
More eSub info...

 


information
C5A €258; C50A €310. Prices are per pair.
The Music Group +49 2154 9206 4149.
C5A $200, C50A $220. Prices are per pair.
The Music Group +1 425 672 0816.

SOS Readers Ads
GRAB A BARGAIN

£589,810

of Second-User Gear for sale now — don't miss out!

AVI Neutron Five

2.1 Monitor System

Thumbnail for article: AVI Neutron Five

This interesting monitor system uses the natural roll-off of the satellite speakers to provide the crossover with the subwoofer.

Tannoy Reveal 601A

Studio Nearfield Reference Monitors

Thumbnail for article: Tannoy Reveal 601A

Building to a price inevitably entails compromises. The art is in choosing the right ones...

Quested V3110

Three-way Active Monitors

Thumbnail for article: Quested V3110

Sometimes, a dose of old-fashioned good engineering delivers something well worth listening to...

Adam A7X

Active Two-way Studio Monitors

Thumbnail for article: Adam A7X

Their A7 nearfield monitors received many plaudits, not least in the pages of SOS, but manufacturer Adam thought there was room for improvement.

PMC TB2S AII

Active Nearfield Monitors

Thumbnail for article: PMC TB2S AII

PMC broke new ground a decade ago with their TB2 monitors, but the competition have been catching up. Does PMC’s new ‘activated’ design nudge them back to the front of the pack?

Avantone Active MixCube

Secondary Reference Monitors

Thumbnail for article: Avantone Active MixCube

Avantone have added on-board amplification to their contemporary take on the classic ‘Horrortone’ secondary monitor, and the result is something quite special...

Sonodyne SM 50AK

Two-way Nearfield Active Monitors

Thumbnail for article: Sonodyne SM 50AK

India may be a growing force in most industries these days, but few Indian pro-audio companies have made it into Western markets. Can Sonodyne’s speakers change all that?

Unity Audio The Rock

Monitor Speakers

Thumbnail for article: Unity Audio The Rock

The time-domain response of monitors is often sacrificed for level, but this sealed-cabinet design tackles that issue head-on...

Infrasonic Blow 4D

Nearfield Monitor Speakers

Thumbnail for article: Infrasonic Blow 4D

With digital and analogue inputs, these small speakers from newcomers Infrasonic promise a lot for the money. Can they outperform their budget price tag?

Blue Sky Sat 8 & Sub 212

2.1 Monitoring System

Thumbnail for article: Blue Sky Sat 8 & Sub 212

If you demand brutal and revealing precision from your monitors, read on...

Barefoot Sound MicroMain 27

Active Three-way Monitors

Thumbnail for article: Barefoot Sound MicroMain 27

As well as a distinctive design, these huge nearfield monitors offer a frequency and time-domain performance that compares with the best.

Adam S3XV

Studio Reference Monitors

Adam make the leap to a three-way speaker design that seems to pay dividends in clarity and separation.

JBL LSR 2300

Monitor Speakers

Thumbnail for article: JBL LSR 2300

JBL have a reputation for clinically precise monitors, but this time they’ve come up with something a little smoother...

Equator Audio Q8

Active Monitors

Thumbnail for article: Equator Audio Q8

Coaxially-mounted speakers may seem a bit old-school, but there’s nothing wrong with the theory — and a touch of DSP can make them very modern indeed!

M-Audio Studiophile DSM1

DSP Reference Monitors

Thumbnail for article: M-Audio Studiophile DSM1

Built-in DSP extends the flexibility and usefulness of these capable speakers.

Event Opal

Studio Monitors

Thumbnail for article: Event Opal

Event’s new owners make some extravagant claims for these new high-end monitors, whose design is said to put quality first. Do they live up to the hype?

Samson Resolv A6 & 120A

Studio Monitors & Subwoofer

Thumbnail for article: Samson Resolv A6 & 120A

Samson’s new low-cost nearfields can produce a big sound, but do they measure up for serious mixing? We find out.

Prodipe Pro Ribbon 8

Active Monitors

Thumbnail for article: Prodipe Pro Ribbon 8

Ribbon tweeters can yield a smooth sound, while still capably reproducing transient detail — and the Pro Ribbon range promises to do so for an attractive price.

Focal CMS65

Active Nearfield Monitors

Thumbnail for article: Focal CMS65

Focal control everything from design to manufacture in their factory in France — and this approach appears to be paying off.

Klein+Hummel O410

Active Midfield Monitors

Thumbnail for article: Klein+Hummel O410

Getting the balance right between the benefits and disadvantages of ported and non-ported speaker designs is a tricky job, and K+H do it better than most with this ported model.

WIN Great Prizes in SOS Competitions!
 

Email: Contact SOS

Telephone: +44 (0)1954 789888

Fax: +44 (0)1954 789895

Registered Office: Media House, Trafalgar Way, Bar Hill, Cambridge, CB23 8SQ, United Kingdom.

Sound On Sound Ltd is registered in England and Wales.

Company number: 3015516 VAT number: GB 638 5307 26

         

All contents copyright © SOS Publications Group and/or its licensors, 1985-2012. All rights reserved.
The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers.

Web site designed & maintained by PB Associates | SOS | Relative Media