Product Review - TC Helicon VoiceLive Play

Article Preview :: Live Vocal Processor


Reviews : Processor


The VoiceLive Play offers powerful vocal processing with simple footpedal control.
J G Harding
TC Helicon, who specialise in vocal processing, offer products in a variety of formats. I’ve previously looked at their VoiceLive Touch and VoiceLive Rack, which both use capacitive touch control for accessing a wide variety of voice-optimised treatments.
For those who aren’t familiar with TC Helicon’s current range, the company’s goal with these products is a noble one: to bring studio-like vocal processing to the stage. They aim to do this by providing a comprehensive set of effects tailored for the voice within a single unit, including preset-based adaptive compression, de-essing and equalisation; pitch processing in the form of correction, doubling and hard tuning (think Kanye West-style Auto-Tune); and conventional effects such as reverb, flanger, delay, chorus, rotary speaker, distortion and so on.
The VoiceLive Play’s chassis and control system has a lot in common with TC Helicon’s stomp boxes, such as the VoiceLive 2 and 2 Extreme. These units squeeze a lot of power into a multi-pedal format, giving the singer the same effect-changing freedom that guitarists will be used to. Housed in a sturdy metal shell, the VoiceLive Play’s controls are somewhat stripped down as far as multi-effects units go, comprising just three footswitches, a continuous rotary encoder and several rubber buttons, and the device is a little less intimidating too.
Fit & Finish
...

That's all folks!! To Continue reading...

Option 1:  Login to open this eSub article
  • To access the full-length version of this eSub HTML web article (with images), enter your registered Subscriber PIN (or Email) plus your registered Password into the LOGIN box at the top of this page.
  • Your eSub does not include free access to PDF articles. You should buy and download them if required (see below).
Option 2:  Buy this SOS article in Adobe PDF format
  • Buy this article now for $1.49 and immediately download the electronic PDF version to your computer.
  • PDF pages look identical to the printed magazine layouts but exclude advertisements
  • Click the "Buy PDF" logo below to make your purchase

 

What's my Sub PIN?

If you have a print subscription but have not yet activated your eSub online access, please inform us and email your name/address details to: subscribe@soundonsound.com

SOS staff will verify your subscription status, activate your online access and notify you of our actions.

I am NOT a Subscriber
  • SOS locks most recent magazine web articles for 5 months after they go live on our site. Then we unlock most articles and make them publicly available — some remain locked and require an active subscription to read them online.
  • Buy a subscription to open eSub articles (see offer below).
  • Alternatively, buy Acrobat PDF magazine article files for 0.99 GBP (99p [USD $1.49]). Just click the  Buy PDF link at the top-right of the web pages to purchase/download PDFs (credit cards and PayPal accepted) or select them from this Shop pagethis Shop page
What is the lowest cost to Subscribe?
A 3-issue eSub web subscription is great value at only £ 9.00 GBP [US$ 13.50] and it lets you instantly read the current and next 2 online magazines — PLUS it unlocks ALL past eSub issues during your sub period.
More eSub info...

 


information
£209 including VAT.
TC Electronic UK +44 (0)800 917 8926.
$249.
TC Electronic +1 519 745 1158

SOS Readers Ads
GRAB A BARGAIN

£609,608

of Second-User Gear for sale now — don't miss out!
WIN Great Prizes in SOS Competitions!
 

Email: Contact SOS

Telephone: +44 (0)1954 789888

Fax: +44 (0)1954 789895

Registered Office: Media House, Trafalgar Way, Bar Hill, Cambridge, CB23 8SQ, United Kingdom.

Sound On Sound Ltd is registered in England and Wales.

Company number: 3015516 VAT number: GB 638 5307 26

         

All contents copyright © SOS Publications Group and/or its licensors, 1985-2012. All rights reserved.
The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers.

Web site designed & maintained by PB Associates | SOS | Relative Media