|
That's the end of the trailer folks!
Option 2: Buy this SOS article in Adobe PDF format
|
Classic Tracks: Billy Swan 'I Can Help'
Producers: Chip Young, Billy Swan; Engineer: Chip Young
In 1974 Billy Swan walked into Chip Young's Young'un Sound studio and, in two takes, recorded a million-selling single that had taken him 20 minutes to write. This is how it was done...
CLASSIC TRACKS: Ian Dury & The Blockheads
Track: 'Hit Me With Your Rhythm Stick'
The story of how a characteristically chaotic and unorthodox 1978 recording session took Ian Dury & The Blockheads to the top of the UK charts.
CLASSIC TRACKS: Madonna 'Like A Virgin'
Producers: Nile Rodgers, Madonna, Stephen Bray • Engineer: Jason Corsaro
In mid-1984 Madonna arrived at New York City's Power Station studios with Nile Rodgers to record the album that would make her an international superstar - using cutting-edge 12-bit technology.
CLASSIC TRACKS: Fleetwood Mac 'Go Your Own Way'
Producers: Richard Dashut, Ken Caillat, Fleetwood Mac
In 1976, in the face of deteriorating personal relationships and massive record company pressure, Fleetwood Mac managed to create a record that would go on to sell 30 million copies.
CLASSIC TRACKS: The Only Ones: 'Another Girl, Another Planet'
Producer: Alan Mair • Engineers: John Burns, Robert Ash
Although never a commercial success, the Only One's 'Another Girl, Another Planet' has proved to be massively influential; and nearly 30 years after its original release, it's finally getting the recognition it deserves.
CLASSIC TRACKS: Tricky 'Black Steel'
Producers: Tricky • Mark Saunders

Tricky's highly unorthodox approach to recording and making music led to the creation of one of the most unique and critically lauded records of the '90s.
CLASSIC TRACKS: Charlie Rich 'The Most Beautiful Girl In The World'
Producer: Billy Sherrill • Engineer: Lou Bradley
1973's 'The Most Beautiful Girl In The World' was one of the defining moments of the Nashville sound, and was the product of a finely-honed studio recording process.
CLASSIC TRACKS: The Ronettes 'Be My Baby'
Producer: Phil Spector • Engineer: Larry Levine
Phil Spector was one of the first producers to realise that a recording studio could be an instrument in itself - and the sound he created over 40 years ago has influenced popular music ever since.
CLASSIC TRACKS: The Jam 'The Eton Rifles'
Producers: The Jam, Vic Coppersmith-Heaven • Engineers: Alan Douglas, Vic Coppersmith-Heaven
'The Eton Rifles' captured both Paul Weller's growing talent as a songwriter and the raw power of his band the Jam, and gave the group their first top 10 hit.
CLASSIC TRACKS: Depeche Mode's 'People Are People'
Producers: Depeche Mode, Daniel Miller, Gareth Jones • Engineer: Gareth Jones
Released in 1984, 'People Are People' perfectly combined Depeche Mode's love of pop music and experimentalism, and gave them their first US hit single.
CLASSIC TRACKS: Les Paul & Mary Ford 'How High The Moon'
Producer & Engineer: Les Paul
Les Paul made some of the most innovative records of the 20th Century, but he had to invent multitrack tape recording first...
CLASSIC TRACKS: The Cure 'A Forest'
Producers: Robert Smith, Mike Hedges
Mike Hedges made his 1980 debut as a producer with one of The Cure's most enduring singles. 'A Forest' and the accompanying Seventeen Seconds album used his and the band's creativity in the studio to the full.
CLASSIC TRACKS: Sade's 'The Sweetest Taboo'
Producers: Robin Millar, Sade Adu, Mike Pela, Ben Rogan
Sade's ice-cool vocals and sophisticated, jazz-tinged instrumentation defined a new kind of soul music for the '80s. Engineer and producer Mike Pela describes the organic recording process that produced one of the singer's most memorable hits from 1985.
Artist: David Bowie; Producers: David Bowie, Tony Visconti; Studio: Hansa Ton, Berlin
With 'Heroes', David Bowie pulled off the rare feat of having a major hit with a highly experimental piece of art-rock, which featured among other highlights live synth treatments from Brian Eno, pitched feedback from guitarist Robert Fripp, and a lead vocal with level-triggered ambience.
CLASSIC TRACKS: 'Anarchy In The UK'
Artist: The Sex Pistols; Producer: Chris Thomas; Engineer: Bill Price
When punk rock broke in 1976, the Sex Pistols caused panic in establishment Britain — and more than a few raised eyebrows in Wessex Studios, where Chris Thomas and Bill Price recorded the band's milestone EMI debut album.
MICHAEL JACKSON 'Black Or White' | Classic Tracks
Producers: Michael Jackson, Bill Bottrell • Engineer: Bill Bottrell
The 18-month gestation period behind Michael Jackson's Dangerous album and its lead single 'Black Or White' saw '80s studio perfectionism taken to extremes — and despite their success, the experience helped to convince co-writer, engineer and co-producer Bill Bottrell that there had to be another way to make records!
Producers: Duran Duran, Alex Sadkin, Ian Little; Engineers: Phil Thornalley, Pete Schwier
When Duran Duran began work on their third album in 1983, they were already one of the biggest bands in the world — and with eight months of studio time and half a million pounds spent, huge expectations surrounded Seven And The Ragged Tiger...
CLASSIC TRACKS: 'Wuthering Heights'
Artist: Kate Bush; Producer: Andrew Powell; Engineer: Jon Kelly
Kate Bush's 1978 smash hit debut single was also the first major project Jon Kelly had recorded. It proved to be a dream start for both artist and engineer, and a perfect illustration of the benefits of working with talented session musicians.
CLASSIC TRACKS: 'What's Love Got To Do With It?'
Artist: Tina Turner; Producer: Terry Britten; Engineer: John Hudson
In 1984, a dose of British soul resurrected Tina Turner's flagging career in spectacular style. For engineer John Hudson, the recording of 'What's Love Got To Do With It?' also provided a memorable example of the 'less is more' principle in action...
Artist: The Rolling Stones; Engineer: Chris Kimsey
In 1981, 'Start Me Up' became one of the Rolling Stones' biggest hit singles. Yet it was actually a reject from a previous session, and only saw the light of day because its infamous co-writers had fallen out...
Classic Tracks: The Police's 'Every Breath You Take'
Producers: The Police, Hugh Padgham • Engineer: Hugh Padgham.
The Police's final studio album was both a technical and artistic tour de force, and yielded one of their most memorable hit singles. Yet the three members were unable to play in the same room without a fight breaking out, so the recording sessions proved tough going for engineer and co-producer Hugh Padgham...
CLASSIC TRACKS: 'Unforgettable'
Artists: Natalie Cole & Nat 'King' Cole; Producer: David Foster; Engineer: Al Schmitt
Half a century in the business has seen recording engineer Al Schmitt reach the very top of his profession, but even a man of his experience can find himself faced with new challenges. So it was in 1991, when he was called upon to turn a classic Nat 'King' Cole recording into a duet with Cole's daughter Natalie...