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Product Review - Eigenlabs Eigenharp Alpha

Article Preview :: Advanced Controller Instrument

Published in SOS November 2009

Reviews : Hardware Controller


Its makers describe the Eigenharp as “the most revolutionary new musical instrument in 60 years”. Could this bold claim be justified?
Robin Bigwood
The Eigenharp Alpha has apparently been in development for 10 years, and was originally born out of the desire for a truly expressive electronic instrument. It’s the brainchild of John Lambert, a former studio owner, web and software industry guru, musician, and now chairman of Eigenlabs Ltd.
So what is the Eigenharp? Well, what it isn’t is just another type of MIDI controller (though it can fulfil this role easily enough). Instead, it’s perhaps better described as a self-contained performance system, with three main components. The first is a highly configurable instrument — the Eigenharp itself — with many real-time control facilities. This plugs into a hardware unit known as the base station, which powers the Eigenharp and also provides a range of connections to the outside world. Finally there’s a software system, currently running on Mac OS X but with Linux and Windows versions in the pipeline, which offers a complete environment for synthesis, sampling, instrument hosting, sequencing and other tasks. It’s a simple enough concept, but we need to dive into the detail to see just what’s on offer.
Out Of The Box
The instrument part of the Eigenharp setup is an impressive bit of kit. About 124cm long, 8cm wide and 4cm deep, it sports two groups of keys, 120 at the top, and 12 (plus another one) at the bottom, each key having an associated LED. The whole shebang weighs about 2.8kg. A cut-away section at the top has a socket for a gooseneck-style breath-controller pipe, and a four-pin mini-XLR microphone input. On the back, about a third of the way up, is a recessed 3.5mm headphone output socket and another cut-away section for attaching a connector used when the Alpha is mounted on its shoulder strap. On the bottom there’s an adjustable spike, like you’d find on a ’cello, and a multi-pin connector for attaching the base-station lead. The review model had ebony panels and rhodium key surrounds and edging, with leather side-panels covering hidden pressure-sensitive strips running the full length of the upper keyboard. The build quality exudes class — it has the feel of a good luthier’s work, but is supposedly very robust too, with the key action sealed to prevent moisture getting into the internal gubbins. Production models will apparently have a series of dimples set into the back of the ‘neck’, to help with locating hands and navigating the upper keyboard. As a fairly high-cost instrument, the Alpha is available in a range of woods and finishes, with plastic or wooden keys, and rhodium or gold-coloured key surrounds and edging. Eigenlabs can also accommodate more inventive and outlandish customisations — at extra cost, of course.
A 6m star quad cable connects the Alpha to the base station, which measures about 34 x 17 x 5cm. On the front is just a single LED that indicates that the unit’s powered up, but on the back are sockets for an IEC mains lead, the instrument input, one switch and two continuous-type pedals, MIDI In and Out, and the USB connection to the computer. Construction is metal and no-nonsense.
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Published in SOS November 2009

Friday 12th March 2010
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