Orchestral Samples
Dave Stewart concludes his investigation into the world of orchestral sampling with a roundup of over 40 orchestral sample CDs. • BUYER'S GUIDE NOTES
• Dave Samuels - Marimba & Vibes • Denny Jaeger Master Violin Library • East West Ultimate String Collection • Emu Systems EIIIX Sound Library • Masterbits Climax Collection • Climax Collection Volume 5 • Miroslav Vitous Symphonic Orchestra • Peter Siedleczek's Orchestra • Peter Siedleczek's Orchestra Plus • Peter Siedleczek's Orchestral Colours • Peter Siedleczek's Advanced Orchestra • Peter Siedleczek's Upgrade '97 • Advanced Media Trax • Prosonus The Orchestral Collection • Roland Sample Archives • Synclavier Sample Library • Syntec Super Strings • Scoring Tools Vol.1 • Symphonic Adventures • Kirk Hunter's The Virtuoso Series • Zero-G Creative Essentials Series December 2009
Other recent issues: | Sampleheads: Dave Samuels Marimba & VibesSample CD Buyer's GuidePublished in SOS January 2000 Reviews : Sample/Sound/Song Library Mba: f <3>, mp (bottom two octaves only), stc, tr <3>. Vib: ff, mf, stc <2>, 16 assorted short phrases. Comments: A disc dedicated solely to these important 20th century instruments illustrates the increased specialisation of sample CDs. Featured here are a 5-octave rosewood marimba and 3-octave vibraphone, both made by Yamaha. Timbral variations are achieved mainly through the use of different mallets, as opposed to weight of stroke. The variety of sounds is greater than on other orchestral titles, but the selection of vibraphone 'licks' is quite limited (no problem -- just play your own!). The vibes' characteristic vibrato sound has not been recorded (at the behest of Samuels himself, who doesn't use it), but the effect may be convincingly added by modulating the program's amplitude (not pitch) with an LFO. Standouts: The reproduction of the vibes 'straight' sound is faultless, and the marimba is very playable. All workstations attempt approximate (usually tinny) versions of these instruments, but these samples are a lot more satisfying to the ear, and thus compositionally inspiring. Quibbles: The amount of room ambience in some marimba samples is inconsistent -- for example, the extreme high and low notes of the 'M MED F' program sound very distant, whereas the middle register appears to be more closely miked. Contact: Sampleheads.
Published in SOS January 2000 | Saturday 21st November 2009 December 2009
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