Orchestral Samples
Dave Stewart concludes his investigation into the world of orchestral sampling with a roundup of over 40 orchestral sample CDs. • BUYER'S GUIDE NOTES
• Dave Samuels - Marimba & Vibes • Denny Jaeger Master Violin Library • East West Ultimate String Collection • Emu Systems EIIIX Sound Library • Masterbits Climax Collection • Climax Collection Volume 5 • Miroslav Vitous Symphonic Orchestra • Peter Siedleczek's Orchestra • Peter Siedleczek's Orchestra Plus • Peter Siedleczek's Orchestral Colours • Peter Siedleczek's Advanced Orchestra • Peter Siedleczek's Upgrade '97 • Advanced Media Trax • Prosonus The Orchestral Collection • Roland Sample Archives • Synclavier Sample Library • Syntec Super Strings • Scoring Tools Vol.1 • Symphonic Adventures • Kirk Hunter's The Virtuoso Series • Zero-G Creative Essentials Series December 2009
Other recent issues: | Denny Jaeger Master Violin LibrarySample CD Buyer's GuidePublished in SOS January 2000 Reviews : Sample/Sound/Song Library (all 3 discs) Disc 1: Loud Violins Vns: sus (ff <2>, mf <2>), att (f <4>), + solo Vn sus vb (designed to be used to apparently increase the overall vibrato of a violin section). Disc 2: Soft Violins Vns: sus (mp <2>, pp), att (mp <3>). Disc 3: Tremolos, Trills & Pizzicatos Vns: trem <2>, trll <2>, piz <2>, random up & down gls <2>, random col <2>. Comments: Nothing but violin sections, painstakingly recorded at semitone intervals, compiled and seamlessly looped by an apparent obsessive (I mean that as a compliment, but if you meet Denny Jaeger at a party, don't get him started on violins). By layering short-attack samples with matching sustains, very realistic performances of anything from soft legato chords to fierce staccato melodies can be programmed. Of course, sampling instruments at every semitone is great for sonic realism, but heavy on sampler memory. Mr Jaeger's compromise is to divide the sustained sounds into three alternative volumes, each sampled at minor thirds. If you have sufficient memory, these can be layered to provide further lushness. The attacks, being a lot shorter, are presented with all semitones present. It's also worth pointing out that a violin's bottom note is G below middle C, so you will have to look elsewhere for real low-end strings. However, some artfully detuned violin section samples are provided in a valiant attempt to fill the gap. Standouts: Purely a question of musical aptitude, as the quality is excellent throughout. For a classic legato string sound, layer the '2MP' and '5MP' programs from the second disc. Quibbles: With so many options and non-descriptive volume names like 'FN+A1V', it's sometimes a little difficult to keep track of all the different violin types! Contact: Time & Space.
Published in SOS January 2000 | Saturday 21st November 2009 December 2009
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