Orchestral Samples
Dave Stewart concludes his investigation into the world of orchestral sampling with a roundup of over 40 orchestral sample CDs. • BUYER'S GUIDE NOTES
• Dave Samuels - Marimba & Vibes • Denny Jaeger Master Violin Library • East West Ultimate String Collection • Emu Systems EIIIX Sound Library • Masterbits Climax Collection • Climax Collection Volume 5 • Miroslav Vitous Symphonic Orchestra • Peter Siedleczek's Orchestra • Peter Siedleczek's Orchestra Plus • Peter Siedleczek's Orchestral Colours • Peter Siedleczek's Advanced Orchestra • Peter Siedleczek's Upgrade '97 • Advanced Media Trax • Prosonus The Orchestral Collection • Roland Sample Archives • Synclavier Sample Library • Syntec Super Strings • Scoring Tools Vol.1 • Symphonic Adventures • Kirk Hunter's The Virtuoso Series • Zero-G Creative Essentials Series December 2009
Other recent issues: | Peter Siedleczek's OrchestraSample CD Buyer's GuidePublished in SOS January 2000 Reviews : Sample/Sound/Song Library TUTTI sus (ff & pp), stc (f & p)*, trem (ff & pp)*, 'hits' ( = major*, minor* and diminished* staccato chords, all ff & pp), 'harp hits', (same, but with a lighter texture featuring harp and woodwinds, mp only), 'glissando hits' (= quick ascending scale leading to a loud sustained chord, major* & minor*, f only), 'pentatonic' sus chords (= majors with added 2nd and 4th, ff* & pp*), 'cluster' sus chords (atonal, 6 types, 1 ff, 4 mf, 1pp). STRINGS SS: sus (ff & pp), spc, trem (4 oct)*, piz (mf & pp), arps (major*, minor*, diminished*, all ff & pp) * Note: Program spans only an octave. Comments: Two main sound categories here: 'Tutti' (strings, brass & woodwind playing together) and a full, decent-sounding string section. No separate brass or woodwinds, and strings are blended in unison according to range. Standouts: The unique tutti material instantly gives the impression of an orchestra without having to painstakingly pile up the component sounds -- definitely worth having. The 'harp hits' are beautifully voiced. Quibbles: String arpeggios rather chaotic. Low cellos and basses in octaves is OK, but didn't like the instruments playing in octaves in the highest register of the tutti -- it muddies up chord voicings. Contacts:Time & Space.
Published in SOS January 2000 | Saturday 21st November 2009 December 2009
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