Avoid information overload with these advanced techniques for using Reaper's mixer.
If the amazing amount of content available on the Internet gives you a bad case of information overload, spare a thought for the engineer tasked with turning a huge number of tracks, effects, sends and automation into a finely mixed stereo master. Digital Audio Workstations offer incredible power and flexibility, but, packing so much information into one system (and often, one screen), they lack the 'all in one glance' comprehension factor of mixing on a hardware console.
Fortunately, Reaper offers many features that can help you wade through the most complex of mixes, to tame the flood of information so that you can concentrate on the sound.
By default, the mixer loads in the Docker, at the bottom of the main Reaper window. The Docker provides a convenient method of navigating between docked windows, but its size is limited by the height of the main window (containing the tracks). If you're dealing with more than a handful of tracks, the docked mixer becomes crowded and you have to scroll to see everything that's going on. Additionally, sends and effects are usually hidden when the mixer is docked, due to the vertical height limitations.
To give the mixer room to breathe, break it out of the Docker by right‑clicking on the Mixer tab and clearing the 'Dock Mixer in Docker' option. This floats the mixer in its own window. You can now double‑click on the window title bar to expand the mixer to full screen. If you're using a multiple‑monitor setup, you can also move the mixer to another monitor.
Using the full screen for the mixer provides several benefits. Reaper's mixer automatically displays as many tracks as possible in the mixer window when the 'Show multiple rows of tracks when size permits' option is enabled. This is a great way to get a quick overview of all of the tracks in the session. If the number of tracks still exceeds the size of the window, a scroll bar appears at the bottom of the mixer so you can scroll to view the rest of the mix. The number of mixer rows is determined by the window size, with the default row height showing the track name, meter, pan settings, track number, mute and solo buttons.
Now you have space to work with, let's look at some more of the features you can use to control what you see in the mixer window.
Reaper's mixer comes with a number of display options enabled by default. To view these options, right‑click on the track name for the Master track, or in a blank space in the mixer window. Enabled options have a tick next to the option name.
Clear the 'Show multiple rows of tracks when size permits' option. Instead of multiple rows with limited information, you'll now have a full‑height mixer channel for each track. Notice that the effects chain and sends for each track are now displayed above the meter area. You can control the display of these sections of the mixer through two more options.
By default, the meters only display levels above ‑62dB. This setting, and the range of the meters, can be adjusted to suit your source material by changing the Meter minimum value (dB) setting in the Appearance / VU Meters / Faders section of the Reaper Preferences. This is particularly useful when you're using the full height of the screen for the meter.
You've seen how some of the mixer options can be used to zoom in on a track, inserts and sends, but what other options are there to simplify the mixer? First, open the mixer options and select 'Show multiple rows of tracks when size permits' again, to get the overview back. Now we'll turn to Folders...
In Reaper, a Folder acts as the bus for all of the tracks within the Folder, providing a single output control for all the Folder tracks. They're also a great tool for organising tracks in the mixer window. To give an example of how to use Folders, you could create a Folder track to act as a bus for all of your drum tracks. Adding a custom colour to the Folder tracks gives you the ability to easily identify these tracks at a glance. (You can quickly add a common colour to a track or group of tracks by selecting one of the 'Custom track colours' options from a track's right‑click menu.)
You can use the next two options to hide the tracks within a Folder, any track that is a Folder track, or both, greatly increasing the available space for the remaining tracks. To hide tracks that are part of a Folder, clear the 'Show tracks that are in Folders' mixer option.
By just hiding the Folder tracks, we've already removed an entire row from the mixer display, increasing the height of the mixer channels and revealing the inserts and sends in the remaining tracks.
You can go further and hide the Folders themselves, by clearing the 'Show Folders' option, but be careful, because the Folder and Folder Tracks options are not linked. It can quickly get confusing if you show the Folder Tracks again but forget to show the hidden Folders as well. If you have enough space, it's usually best to leave the Folders visible in the mixer.
These mixer options affect every Folder (and their tracks) in the mixer. If you only want to hide the tracks in certain Folders, you can toggle their visibility by clicking on the Folder icon for the selected Folder.
Additional show/hide options exist for the Master track, and any tracks that receive signal from another track (useful for showing/hiding aux tracks).
Clearing the 'Show normal top level tracks' option hides any track that is not:
• Part of a Folder.
• A Folder track.
• Part of a group.
• Receiving signal from another track.
While the visible, default options provide a decent amount of control over the mixer, the real power lies beyond the visible menus, in Reaper's Actions.
Actions tell Reaper to perform a particular function, or series of functions, and can be tied to a keyboard shortcut, or to a controller such as a MIDI keyboard or hardware mixer. You're probably already familiar with the keyboard shortcut Ctrl‑M (Mac: Cmd‑M), which opens or closes the mixer window. In the next part of this workshop, we'll create a custom set of shortcuts to quickly recall some of the default mixer views, and create a few new options to speed up the mix process.
Open the Actions list by selecting Actions / Show Actions List, or by using the question mark (?) keyboard shortcut. You can locate an existing Action by scrolling through the list, or by entering a keyword in the Filter field. Existing mappings are shown in the Shortcut column. The entire Actions list, or sections of it, can be exported or imported, so you can take your custom Actions and mappings to any Reaper installation. This is great if you need to work at different studios but want to retain your workflow between facilities. You can restore the mappings to their default state at any time by clicking on the Import/Export button, then selecting 'Restore all shortcut bindings to factory defaults'.
Hidden away in the Actions list is one of my favourite mixer tools: the Filter Tracks function. To locate this function, enter 'Filter' in the Filter field of the Actions window, then double‑click on the action called 'Filter track visibility' to open the Filter Tracks window. (Certain functions outlined in this article, such as Filter Track Visibility, may operate differently in Reaper 4.) This little gem is used to hide or show tracks based on keywords. Enter a keyword — for example, 'Guitar' — then select 'Show in mixer' or 'Hide in mixer' from the associated Actions list, to include or exclude any track that contains that keyword as part of the track name. With a bit of thought put into your track names, you can easily show or hide large sections of the mix using this simple tool.
By default, accessing the Filter Tracks function involves opening the Actions List, then filtering that list to show the Filter Track Visibility Action, then double‑clicking on that, then entering the keyword. Since this can get a bit painful if you're using it a lot, let's simplify the process by assigning this function to the first of our custom shortcuts. I'll use the numbers on my number keypad, but you can assign them to any key you like, or to any controller. To assign the Filter Track Visibility Action to a custom shortcut:
Next, let's map an Action that makes the management of Folder tracks a breeze.
You can use the same shortcut to set the track that is the last track in a Folder. If you can't see the Folder icon, check that 'Clickable icon for folder tracks to show/hide children' is selected in the mixer options.
Although you can use the default mixer options from the right‑click menu, assigning them to a shortcut speeds up the process considerably, and allows you to access them without having to use a mouse. You can assign the shortcuts you want to use to the remaining number keys; the table on the previous page shows the shortcuts and assignments that I regularly use.
When you've finished creating your shortcuts, remember to save them to the Mixer.ReaperKeyMap file, so you can access them when you need to. .
|NumPad 1||Filter track visibility||Open the Filter Tracks window, where you can show/hide mixer tracks based on keywords in the track name|
|NumPad 2||Cycle track folder state||Change a normal track into a Folder or End of Folder track|
|NumPad 3||Toggle show tracks in folders in mixer||Show/hide mixer tracks that are within a Folder|
|NumPad 4||Toggle show FX inserts if space available||Show/hide FX inserts in the mixer, depending on available space|
|NumPad 5||Toggle show FX parameters if space available||Show/hides the parameters for the FX inserts in the mixer, depending on available space|
|NumPad 6||Toggle show sends if space available||Show/hide track sends in the mixer, depending on available space|
|NumPad 7||Set to custom color||Open the colour picker so you can assign a custom colour to selected track(s)|
|NumPad 8||Toggle tracks with receives in mixer||Show/hide mixer tracks that receive sends from other tracks (eg. Aux tracks)|
|NumPad 9||Toggle show normal top level tracks in mixer||Show/hide normal mixer tracks|