The Internet contains far more information than you could hope to assimilate in one lifetime — the problem is finding things you actually want to know about! In the first of a two-part series, Derek Johnson and Debbie Poyser don their Tour Guide badges and present a musician's guide to interesting World Wide Web sites...
Though it costs no more than last year's TSR24S, Digitech's latest top-line studio processor offers twice the power, an improved user interface, and a digital connections option. Derek Johnson leaps into action.
The budget effects market's looking increasingly crowded, with £199 as the new entry-level price norm. Does Zoom's 1204, which features unusual effects not normally found at this cost, stand out from the crowd? Derek Johnson finds out.
Despite having a name that most British people associate with small, round chocolate biscuits, Viscount are gaining a reputation for affordable MIDI hardware — and the EFX10 could be their best value effects processor to date. Derek Johnson and Debbie Poyser develop a taste for it.
The School Of Audio Engineering celebrates its 20th anniversary this year. Debbie Poyser and Derek Johnson talk to SAE founder Tom Misner and European General Manager Rudi Grieme about the school's development into a worldwide concern, the courses SAE offer today, and the changing business of teaching music engineering and production.
Roland once stated that they would never bring out a follow-up to their now terminally trendy TB303 Bassline. However, the success of other manufacturers' TB clones and the inflated price of the original have made them think again. Derek Johnson and Debbie Poyser are proud to present the UK's first in-depth review of the new MC303.
Is it a Filofax? Is it a Stylophone? No... it's Roland's answer to Yamaha's portable music Walkstation family. Faster than a speeding bullet, Derek Johnson and Debbie Poyser apply their X-ray vision to the new PMA5.
True, the name harks back to the CS-series synths of the '70s and '80s, but with their new CS1x, Yamaha definitely have their eyes set on the future. Critics Derek Johnson and Debbie Poyser analyse Yamaha's blue period...