SOS PODCASTS

Aki Mäkivirta, R&D Director at Genelec, talks to Sam Inglis about the latest developments in immersive audio, GLM measurement software and Aural ID technology.

Matt Johnson of Jamiroquai talks us through five of his favourite keyboard processing tips.

JJ Jeczalik emerged as the pre-eminent Fairlight programmer of the 1980s primarily as one fifth of the art-pop collective, Art of Noise, but also in projects ranging from ABC and Dollar to Yes and Malcolm McLaren.

Eddie Bazil gives six sound design tips, using various plug-in filters to create unique instrument sounds and to add interest and movement to mixes.

Hannah Peel, composer, producer and broadcaster, talks to Caro C about her solo record career, including the shortlisted 2021 Mercury Music Prize electronic album, scoring music for Game Of Thrones and her many other diverse projects.

Howard Gray gives us a fascinating look behind the scenes of recording and engineering some of the biggest tracks of the '80s.

Matt Johnson has emerged as one of the most talented and prolific keyboard players of the last 20 years, mostly as part of the legendary Jamiroquai.

LEWITT Audio chat to Hugh Robjohns about their approach to developing, innovating and engineering their range of home, studio and live microphones.

Paul White and Hugh Robjohns engage in a lighthearted discussion about what peeves and annoys them about today's music software and recording hardware.

CEDAR Audio has led the world in audio restoration and noise suppression for over three decades. We find out more about their ground-breaking technologies.

Sarah Angliss talks to Caro C about her route into Electronic Music and how she utilises sub-frequencies, robotics, and her own effects in her compositions and live performances.

Zoë Blade and Nina Richards talk about their individual music careers and how they came together to create the Stepper Acid Eurorack Sequencer.

Hugues Vinet, of the IRCAM electronic music institute in Paris, talks to Paul Tingen about their work in software, sound design and AI composition.

David Gould, Director of Audio Content Solutions at Dolby Labs, talks to Hugh Robjohns about immersive audio and how Dolby Atmos works.

J. Wilgoose Esquire, founding member of Public Service Broadcasting, talks about the origins of the band and the surprise success they've enjoyed, and discusses his recording methods, choice of equipment and the technical challenges of performing live.

It's 10 years since Focusrite launched their best-selling Scarlett range of audio interfaces, now into its third generation. CEO Tim Carroll and Will Hoult, Head Of Product at Focusrite and Novation talk to Sam Inglis about what's behind the success of the Scarletts.

Paul White and Hugh Robjohns look back and chat about some of their favourite gear releases of 2021.

Vocoders are not just for vocals. In this episode, Eddie Bazil talks about the various vocoder plug-in options and demonstrates six creative techniques.

Daniel Blackmer, Director of Engineering at Earthworks Audio, explains the company's distinctive approach to microphone design.

Synth Gems 1 sets out to document, both visually and in words, some of the most incredible keyboard synthesizers ever made. Hear how it came to be...

Rob Puricelli talks to Ian Boddy, who has been a fixture on the electronic music scene for over 40 years, as an artist, a sound designer and a label owner.