SOS PODCASTS

Grammy Award-winning engineer Bob Clearmountain details his unique approach to mixing music in Dolby Atmos using an analogue desk.

Mark Mynett, Sound Engineer and Senior Lecturer in Music Technology and Production, talks us through the setup and recording of live drums.

Nuno Fonseca of Sound Particles talks about their rapid rise in the film and audio industry and how they are using their sound particle plug-in technology to bring exciting new options to sound design and audio recording.

Richard Norris talks about his early break into the music industry, success with The Grid in the 90s, his many collaborations, remixes and unexpected career turns.

Chiara Luzzana is a Sound Designer and Composer, known for her use of Zoom field recorders.

Tony Ni from Soundtoys sits down with Sam Inglis to discuss his mixing workflow and to explain how he uses core Soundtoys plug-ins to achieve his sound.

Matt Johnson of Jamiroquai talks us through five of his favourite keyboard processing tips.

Aki Mäkivirta, R&D Director at Genelec, talks to Sam Inglis about the latest developments in immersive audio, GLM measurement software and Aural ID technology.

JJ Jeczalik emerged as the pre-eminent Fairlight programmer of the 1980s primarily as one fifth of the art-pop collective, Art of Noise, but also in projects ranging from ABC and Dollar to Yes and Malcolm McLaren.

Hannah Peel, composer, producer and broadcaster, talks to Caro C about her solo record career, including the shortlisted 2021 Mercury Music Prize electronic album, scoring music for Game Of Thrones and her many other diverse projects.

Eddie Bazil gives six sound design tips, using various plug-in filters to create unique instrument sounds and to add interest and movement to mixes.

Howard Gray gives us a fascinating look behind the scenes of recording and engineering some of the biggest tracks of the '80s.

Matt Johnson has emerged as one of the most talented and prolific keyboard players of the last 20 years, mostly as part of the legendary Jamiroquai.

LEWITT Audio chat to Hugh Robjohns about their approach to developing, innovating and engineering their range of home, studio and live microphones.

Paul White and Hugh Robjohns engage in a lighthearted discussion about what peeves and annoys them about today's music software and recording hardware.

CEDAR Audio has led the world in audio restoration and noise suppression for over three decades. We find out more about their ground-breaking technologies.

Sarah Angliss talks to Caro C about her route into Electronic Music and how she utilises sub-frequencies, robotics, and her own effects in her compositions and live performances.

Hugues Vinet, of the IRCAM electronic music institute in Paris, talks to Paul Tingen about their work in software, sound design and AI composition.

David Gould, Director of Audio Content Solutions at Dolby Labs, talks to Hugh Robjohns about immersive audio and how Dolby Atmos works.

Zoë Blade and Nina Richards talk about their individual music careers and how they came together to create the Stepper Acid Eurorack Sequencer.

J. Wilgoose Esquire, founding member of Public Service Broadcasting, talks about the origins of the band and the surprise success they've enjoyed, and discusses his recording methods, choice of equipment and the technical challenges of performing live.