SOUND ON SOUND
Dynamics processing is a core mixing technique, but it’s often misunderstood. We explain how to make a compressor do what you want it to!
The latest addition to Focusrite’s AI‑powered Collective makes great‑sounding reverbs easy to achieve.
Paul White looks back over the history of the echo effect, from tape loops through to plug-ins, and explores how modern echo effects can be used as sound design tools.
Sam Battle, also known as Look Mum No Computer, chats to Caro C about his love of electronics, '80s music and re-using discarded technology.
We go behind the scenes at Real World and meet the team who help make it one of the world’s premier recording facilities. Peter Gabriel’s personal engineer Dickie Chappell also gives us an exclusive sneak peek into Peter’s writing room and recording process.
We all know that close miking boosts the low end. But why? New research from DPA Microphones explains that some instruments are more affected by proximity effect than others.
There’s more to Reason’s new Mimic creative sampler than meets the eye...
