
Tracking Bands Outside The Studio
When the point of a recording is to capture the live energy of a performance, conventional studio spaces and techniques aren’t always the best option.

When the point of a recording is to capture the live energy of a performance, conventional studio spaces and techniques aren’t always the best option.

Gérard Assayag talks to Nick Rothwell about his pioneering work in creative AI and computer music at IRCAM.

Bob Coover and Anthony Marinelli join Julian Rodgers to explore the history, evolution and creative potential of wavetable synthesis

Lincoln Grounds joins Julian Rodgers to discuss guerrilla recording techniques, exploring how authentic performances in unconventional spaces can matter more than technology and complex setups.

When I first moved to a DAW, I tended to treat it much like a tape machine on steroids.

The TimeLine has proved enduringly popular, on stage and in the studio. But as technology has evolved over the last 15 years, Strymon decided that the time was ripe for a significant redesign...

Steinberg’s spectral editor opens up yet more powerful processing options.