SOS PODCASTS

Siamäk Naghian and Andy Bensley of Genelec chat to Sam Inglis about the 43 year history of the company, the development of new technology and future sustainability.

Imogen Heap chats to Caro C about her music tech projects, including MiMU Gloves, Glover Software, interacting through VR and The Creative Passport Project.

In this episode, Mathieu Gendreau shares 6 advanced top tips to help you mix drums like a pro.

Olivier and Johannes go behind the scenes on the techniques that they used to create their latest collaborative album featuring the use of VoIP technology to process sound.

SOS Technical Editor Hugh Robjohns chats to Mirek Stiles about the Spatial Audio Forum and how everyone can get involved in creating 3D audio environments using basic recording equipment.

In this show Paul White guides you through seven reverb treatments, from simple to complex, and demonstrates how combining reverb with other commonly available plug-ins can produce creative textures and ambience in your music.

A special podcast in honour of the 100th birthday. We speak to Cyril Lance (Chief Engineer, Moog), Dorit Chrysler (composer/New York Theremin Society), Bruce Woolley (songwriter/Radio Science Orchestra) and Katia Isakoff (singer/songwriter and producer).

Richard Wear of Interfacio talks about the opportunities that exist within the pro-audio industry and how to improve your chances of finding a career within this field. 

Adam Shepard of ADAM chats to Sam Inglis about the distinctive technology at the heart of ADAM's loudspeakers and explains how they've achieved so much in a mere five years!

Dean James Barratt is a sought-after Mix Engineer based out of The Dairy Studios in London. Dean talks to Sam Inglis about his personal road to becoming a freelance Mix Engineer, what defines that role, tips on making it, and what keeps clients coming back for more.

Mat Gendreau shares his 5 top tips for using parallel processing techniques on voice, bass and drums.

Canadian producer and educator Mat Gendreau shares his Top 5 Tips on processing reverbs to fit with your song tempo and to avoid overpowering a mix.

Don Lewis toured with the Beach Boys, as well as played studio sessions for Quincy Jones and Michael Jackson. He's now the focus of a documentary film by Ned Augustenborg.

Arturia President Frédéric Brun looks back over the French company's 20-year history from their Storm software to PolyBrute.

Mark Mynett, Senior Lecturer in Music Technology and Production at Huddersfield University, talks about selecting the right course and the vital importance of real-world experience and networking in order to develop a successful music industry career. 

In this episode, Mike Senior demonstrates several ways spill can actually improve the sound of your productions.

Nainita Desai chats about her distinguished career, from her beginnings as a foley artist right through to becoming a busy and successful award-winning composer.

Ross Orton talks to Nigel Humberstone about his transition from playing drums with Jarvis Cocker into the world of production, remixing and songwriting. His steel city stories include working with Arctic Monkeys & Working Men’s Club.

Grammy Award-winning engineer and producer Dom Morley chats with Sam Inglis about the art and craft of recording and mixing vocals.

Distortion can be a surprisingly useful mix effect, if you know what you're doing. Mike Senior reveals several common applications, and explains how to get the best results in practice.

Dr Manny Fernandez has been heavily involved in development and programming for Yamaha and is best known for his FM and Physical Modelling work through their glory years of new synthesis technologies in the DX7II, SY77/99, VL1, VP1, EX5, AN1x and FS1R. More recently he has been working with the Reface DX, Montage and MODX.