SOS PODCASTS

Mike Senior delves into some of the most common troubleshooting tasks when dealing with acoustic guitar recordings at mixdown, and shares his own favourite processing fixes.

Robin Rimbaud, AKA Scanner, takes us on an autobiographical sonic journey as he talks about his early fascination with tape recorders, to life beyond the computer screen and his studio filled with modular and table-top synths.

Recent graduate Felipe Gutierrez chats to Steve Levine at his Liverpool studio about careers in the music industry, how to encourage good performances from your artists, and utilising whatever tech you have available in the recording process.

Mike Senior explores the subject of Haas delays at mixdown, explaining how they work, how to get the best out of them, and how to avoid the most common traps associated with them.

Alex Ball has built a reputation as one of the most informative and interesting synth historians of the YouTube age. Rob Puricelli talks with him about his recent documentary on ARP.

Mark Crabtree of AMS Neve chats with Sam Inglis about how two of the biggest names in UK audio technology came together, and how they are using their unique expertise in analogue and digital audio to develop their next wave of studio products.

Compression can do radically different things to the sound of a snare drum, depending on how it's set up. In this episode, Mike Senior explores three ways in which a compressor can help bring your snare tracks to life.

Join composer and electronic musician Caro C in conversation with Suzanne Ciani, a synthesizer and electronic music legend who has pushed the envelope since the 1960s.

Martin Seidl, Founder and CEO of Microphone & Headphone manufacturer Austrian Audio, chats about current products and future technological developments, plus why their core range of products will remain analogue at heart.

Cardioid mics are tremendously popular amongst recording musicians, but can also work against you. In this episode, Mike Senior explains some of the reasons why, and illustrates how omni and figure‑eight patterns can often give more useful results.

David Vorhaus of White Noise chats with Rob Puricelli about his early involvement with the Fairlight CMI and his Kaleidophon ribbon controller and Maniac sequencer inventions.