SOS PODCASTS

Pedals are not just for guitars. Here Paul White connects his extensive pedal collection to a modular synth system, effectively using the pedals as additional modules and suggesting some creative ways of setting them up.

Audio Design Engineer Andy Bereza founded Allen & Heath Mixers before working for TEAC/Tascam, where he conceived the ground-breaking TEAC Portastudio.

In this first part of an occasional series exploring modular synthesis and live performance, Will Stokes talks to experimental electronic musician Scanner about the choice of his favourite modules he'll showcase in his closing performance.

Music Producer and DJ Danny Briottet gives a fascinating insight into his formative years, including the global musical influences that shaped his career.

Paul White and Hugh Robjohns discuss the basics of a good home studio setup, including choosing the right equipment and setting up your space correctly to achieve the best recording and mixing results.  

Daniel Miller, founder and chairman of Mute Records, talks to Kevin Paul about his entry into the music industry, the origins of the label, and of his enduring love of modular synthesis.

Jason Singh is a sound artist, producer and performer. His creative output is an exploration of the natural world, voice and a wide range of music technologies, including the MIDI Sprout interface.

Synth designer Tom Oberheim tells Sam Inglis about his early years as an engineer and his accidental route into creating electronic musical instruments.

Paul White and Hugh Robjohns discuss the best practices for avoiding and eliminating electrical noise interference in your home studio.

Arturia's, Frédéric Brun, talks about the company's eventful history, taking in highlights such as the innovative MiniBrute, the epic PolyBrute and the company's first stage keyboard, the new AstroLab.

Eddie Bazil gives us three masterclass pointers on constructing beats, incorporating useful tools such as Drum Replacement software and pre-constructed Loops...

The drum machine has progressed massively since the days of the home organ player. Here Oli Freke takes us through a brief history, with lots of audio examples.

Alan Moulder, 2024 recipient of the Icon Of The Year Award from the Music Producers Guild, talks to Kevin Paul about his early years at Trident Studios and finding his specialist areas.

Electronic Music artist Jlin talks about her processes for creating a new work, being ready to tour straight from the studio, and staying grounded and focused when your work gains recognition.

Sam Boydell talks us through selecting an orchestral sound library, creating a simple string motif and incorporating more realism into the finished piece.

Producer and Engineer Tim Bran talks us through his early career at Island Records, being invited to tour as a session musician, recording London Grammar and setting up his own collaborative tech and studio projects.

As a tribute to Ryuichi Sakamoto on the first anniversary of his passing, Caro C talks to Richard Barbieri, Natalie Beridze and Carsten Nicolai (aka Alva Noto).

In the first of a two-part series, Eddie Bazil explains how some simple adjustments in your DAW will help you achieve more bounce in your drum beats, by adding syncopation, swing and dynamism.

Guy Massey talks about his training at Abbey Road, how this gave him the confidence and experience to become freelance, and how he enjoys blending new technology with traditional recording spaces.

Henrietta Smith-Rolla, known professionally as Afrodeutsche, gives Caro C insights into her musical journey, from her introduction to the music industry in Manchester, signing to Skam Records and becoming a BBC 6 Music DJ.

In the first of this two-part series, David Mellor gives us an introduction to mic polar patterns.