Rather than rack up their recent flagship Virus Indigo, Access have made the Virus Rack a lower-spec version at a keen price. Gordon Reid considers whether this Virus is still infectious...
Not every old analogue synth can be a classic. Gordon Reid reflects on one that is not desirable, probably won't appreciate and, in many analogue enthusiasts' opinions, does not deserve to be hunted down - except, perhaps, to be put out of its misery!
Having proved that subtractive synthesis of an acoustic guitar is completely impractical, Gordon Reid tries his hand at the electric variety, and deconstructs some past attempts to emulate the sound via analogue means.
In the second instalment of this two-part retro, Gordon Reid recalls FM's finest hour, and describes the heyday of what was perhaps the most successful family of synthesizers ever developed.
Having explained last month the reasons why analogue synthesis of guitar sounds should be well-nigh impossible, Gordon Reid puts the theory to the test...
Having dealt exhaustively with the mechanics of brass instruments and how to go about synthesizing them, we turn to instruments that use plucked strings to generate their sound, taking the complexities of the acoustic guitar as an example.
Although FM synthesis has its roots in the sixties, the instruments that popularised it were to dominate the synth scene of the eighties. Gordon Reid uncovers the origins of FM and charts its rise to fame from its unlikely beginings in academic research in the USA.
Gordon Reid concludes his attempts to adapt an idealised analogue brass patch so that it can be programmed on real synths. This month, he looks at the Roland SH101 and ARP Axxe.
Originally planned as a limited edition, the 37-note Virus Indigo virtual analogue keyboard synth surprised even its makers - demand ran so high that it became a separate product. Gordon Reid considers the newest strain of this retro Virus, and the latest v4 OS software revision.