SOUND ON SOUND
It may say v1.6 on the box, but the latest version of BIAS's Mac-based audio editor is stuffed with enough new features to warrant a version 2.0 tag. Paul D. Lehrman scales new heights.
Paul D. Lehrman took six players, four samplers and a computer, and created a live-performance piece based on the music and words of Frank Zappa. It left the audience delighted — and utterly confused.
With impressive improvements in power, speed and flexibility, Digidesign's software upgrade for their flagship digital audio production system keeps them ahead of the pack. Paul D. Lehrman wonders where the catch is...
Paul D. Lehrman discovers things he never knew about his recordings...
You probably don't realise how noisy your computer studio is until you turn everything off and enjoy the silence. Paul D. Lehrman explains how you can arrange your setup to reduce noise and restore peace to your working environment.
There are now more options on the market than ever before for anyone wishing to indulge in hard disk recording and editing. Paul D. Lehrman previews the latest update for the popular Pro Tools system, designed to keep Digidesign on top amidst increasing competition.
If computers belong in the studio, how come we spend half our time Gaffa-taping up the cracks? As a music technology trainer, Paul D.Lehrman is something of a digital evangelist — but one who's suffering a crisis of faith...
Macintosh have finally started licensing their operating system to other manufacturers. so when is a Mac not a Mac? Paul D. Lehrman looks at Power computing's range of Macintosh clones.
Several software houses are producing modestly priced programs which take advantage of the audio capabilities fo the Apple Power Macs. The result can be high-quality multitrack digital audio at a suprisingly low cost. Paul D. Lehrman finds he's got the Power...