Synth Secrets turns its attention to the synthesis of percussion instruments, beginning with pitched drums.
Last month, we revealed just how hideously complex the sound-producing mechanism of the snare drum can be. Nevertheless, synthesizing the sound is not as hard as it seems, as we find out with the aid of a Roland SH101...
Roland released the JP8000/8080 virtual analogue synth way back in 1997, but never really followed it up. Now they've combined the modelling synth idea with their Groovebox concept, presenting it in compact form with a wealth of hardware control options...
Roland's latest module provides the most affordable way yet to access the company's fine XV soundset, albeit with reduced polyphony and a less intuitive user interface compared to the more expensive XV5080. We weigh up the pros and cons.
Another 'through the keyhole' glimpse into a reader's studio reveals how it's possible to turn your hobby into a job, with a TV commission to help you on your way.
The 808 needs no introduction, but can its diminutive descendent deliver the same punch?
The Roland RS202 and Multivox MS202 are two classic string synthesizers that seem to share more than a passing physical and sonic resemblance. We investigate the machines and the myths, and solve the mystery once and for all.
Having come up last month with a reasonably realistic cymbal patch, it's time to take the principles of synthesizing metallic percussion one stage further, and produce bell sounds. But there's more to this than you might think...
Roland have enhanced the VGA monitor graphical interface of their flagship 24-track recording workstation to make it easier to use, and have also thrown in a few extra features for good measure.
Roland's new V-Bass refines the technology developed for the pioneering V-Guitar systems to meet the demands of bass players.
