SOUND ON SOUND
The new Nano Cortex uses the same technology found in Neural DSP’s Quad Cortex unit, allowing users to create a digital version of any amp, drive pedal or cabinet, or a combination of all of them!
Comprising three products that offer a variety of I/O configurations, Apogee's new interface line-up caters to traditional studio setups as well as offering a no-compromise entry point to immersive mixing.
UTA-D UnFairchild 670M promises to capture the vibe and character of Undertone Audio's hardware unit, while bringing some helpful additional features to the table.
Sitting between their FOCUS and PRO models, Yellowtec's latest Intellimix system offers many of the benefits of the PRO, but without built-in X64 AoIP (Audio Over IP) connectivity.
Lauten Audio’s latest release aims to combine the isolation and flexibility of a premium mic stand with the convenience and portability of a rim-mounted clip system, while also eliminating the common pitfalls of both.
The Very Loud Indeed Co.’s latest Omnisphere sound pack delivers 120 new patches inspired by the works of composers such as Trent Reznor and Hildur Guðnadóttir.
Freqport have now announced a major software and firmware update that kits the Freqport FT-1 out with some new features and tackles a few known bugs and issues.
This year's Sensoria Fesitval will include a conference aimed at composers, filmmakers, music publishers and game developers, as well as a haunting live performance from Gazelle Twin.
Created using a collection of meticulously recorded impulse responses, Revolv captures everything from Medieval ruins to a&nbs;serene Swedish forest.
DPA’s latest miniature mic promises to combine best-in-class speech intelligibility with a sweat-repellent and water-resistant construction.
The latest addition to Roland’s AIRA Compact range packs the company’s renowned sampling technology into a pocket-size device aimed at creators on the go.
Along with the usual attack and release stages found in transient shapers, Trinity Shaper takes things a step further by including a third stage that offers control over the body of the sound.
