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Clipping

When an audio signal is allowed to overload the system conveying it, clipping is said to have occurred and severe distortion results. The ‘clipping point’ is reached when the audio system can no longer accommodate the signal amplitude –either because an analogue signal voltage nears or exceeds the circuitry’s power supply voltage, or because a digital sample amplitude exceeds the quantiser’s number range. In both cases, the result is that the signal peaks are ‘clipped’ because the system can’t support the peak excursions - a sinewave source signal becomes more like a squarewave. In an analogue system clipping produces strong harmonic distortion artefacts at frequencies above the fundamental. In a digital system those high frequency harmonics cause aliasing which results in anharmonic distortion where the distortion artefacts reproduce at frequencies below the source fundamental. This is why digital clipping sounds so unlike analogue clipping, and is far more unpleasant and less musical.

Chorus

An effect created by doubling a signal and adding delay and pitch modulation, intended to make a single source sound more like an ensemble.

Chase

A term describing the process whereby a follower device attempts to synchronise itself with a master device. In the context of a MIDI sequence, Chase may also involve chasing events - looking back to earlier positions in the song to see if there are any program change or other events that need to be acted upon.

Channel

A path carrying audio or data. In the context of a mixing console a channel is a single strip of controls relating to one input. In the context of MIDI, Channel refers to one of 16 possible data channels over which MIDI data may be sent. The organisation of data by channels means that up to 16 different MIDI instruments or parts may be addressed using a single cable.

CD-R

A recordable type of Compact Disc that can only be recorded once and it can't be erased or reused. The CD-R’s technical characteristics are defined in the ‘Orange Book’

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