A form of electrical potential divider in which the ratio of the upper and lower resistances can be changed either with a rotary control or slider (eg. a fader).

Work done to a recording.

A gliding effect that allows a sound to change pitch at a gradual rate, rather than abruptly, when a new key is pressed or MIDI note sent.

A connection for the input or output of data or other signals. In the context of loudspeakers it refers to the vent in a bass reflex cabinet.

A device placed between a sound source and a microphone to trap wind blasts - such as those created by a vocalist’s plosives (Bs, Ps and so on) - which would otherwise cause loud popping noises as the microphone diaphragm is over- driven. Most are constructed from multiple layers of a fine wire or nylon mesh, although more modern designs tend to use open-cell foam.

A synthesizer that can play/sound more than one note at a time (eg. eight or 16 notes), each with an independent signal chain of oscillators, filters, and envelope generators.

The most common MIDI mode that allows an instrument to respond to multiple simultaneous notes transmitted on a single MIDI channel.

The ability of an instrument to play two or more notes simultaneously. An instrument which can only play one note at a time is described as monophonic.

This refers to a signal's voltage above or below the median line. Inverting the polarity of a signal swaps the positive voltage to negative voltage and vice versa. This condition is often referred to (incorrectly) as 'out-of-phase'.

The directional characteristic of a microphone (omni, cardioid, figure-eight, etc).