Behringer have launched a new range of universal USB MIDI control surfaces under the new X-Touch banner at the NAMM show. Find out more in our video.

The Apollo Twin is a two-in, six-out desktop recording interface for Mac computers with Thunderbolt connectivity, that combines the same 24-bit, 192kHz audio conversion of its predecessors with UAD Solo or Duo processing. It allows a plethora of high-quality UAD plug-ins to be run in recording and monitoring paths at low latencies (in the region of 2ms). 

Prism Sound have only just announced their new Titan audio interface, and already they're readying their next. The Atlas is the newest in the line of Orpheus-derived interfaces and is set for a launch at the NAMM show in Anaheim later today.

Press Release: Internationally renowned manufacturer Prism Sound will score a hat trick at NAMM 2014 when it unveils Atlas - its third new interface product to be launched in just eight months (Booth 7123).

Eventide have unveiled the newest addition to the H9 stompbox line: H9 Core. Available now, the H9 Core is physically the same, but only ships with one algorithm as opposed to nine, and this can be expanded by the user.

Harris Jayaraj, a highly celebrated Indian music and film composer, shares a very loyal bond with Shure products.

The Virtual Microphone System allegedly recreates the colour and character of some of the most beloved classic mics and mic preamps in recording industry by using a hybrid system of hardware and software.

The NAMM show in Anaheim, California, is the perfect opportunity for us to present the SOS Awards, which celebrate the products that you, the readers, have enjoyed using most over the last year.

The UK's own Brighton Music Conference is taking place on April 11th and 12th 2014 at Brighton Dome and in some of Brighton's top clubs. There will be guest panelists from Spotify, Radio 1 and Beatport among others.

Building upon the popularity of the company’s acclaimed TG2 Pre Amp / DI, the new TG2-500 delivers the classic sound of the EMI TG12428 pre amp used in EMI/Abbey Road recording and mastering consoles in the late 60s and early 70s—in the company’s 500 series module form factor.