SOUND ON SOUND
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It’s tempting to conclude that embracing limitations in music production and recording is always a good thing, but the truth is more complicated...
How can curating a playlist of reference tracks keep a sense of wonder alive in a creative process?
Comprising Taiwanese brothers Hom Yu and Jiun Chi, Taipei duo Mong Tong incorporate a wild mix of influences...
Using professional mixes to help guide your own decisions can provide very interesting results!
Arthur C Clarke famously opined that “Any sufficiently advanced technology is indistinguishable from magic.” But when do we start to take incredible technological achievements for granted?
There is good reason why so many creative types opt to shut themselves away in out‑of‑town studios or workspaces. It has everything to do with the way that individual creativity works, and removing distraction...
They called him the “British Bill Gates” but to SOUND ON SOUND readers he was much more than that! Friend and business collaborator Paul Wiffen pays tribute to Mike's pioneering achievements in music technology instrument design, before he rose to such a lofty position in the wider tech world with his Cambridge-based company Autonomy.
Does a national government even have the power to shape or stop the AI revolution?
A successful composer shares his secrets for getting ahead in the music industry.
How do you find unique sounds? Cue the boutique world of DIY...
When it comes to setting the mood for creativity, ambient lighting and neon lights can make a world of difference...
Leslie Gaston‑Bird’s CV boasts an unusually broad array of career exploits, from her role as Broadcast Recording Technician with America’s national radio station NPR to recording the Colorado Symphony at the famous Boettcher Hall...
This month, I’ve reviewed not one but two moving‑coil dynamic microphones. They have much in common, yet they are also polar opposites...
Growing up in the western Mexican city of Guadalajara, Eduardo De La Paz didn’t have many opportunities to learn the craft of recording and production. He has since made his own name as a formidable mixer, and in the process founded a studio.
Last year I watched Almost Famous, and that film made me realise something incredibly sad: I’d never heard anything on vinyl.
Does knowing about production change the way we engage with music?
On paid sessions, every engineer has to get the job done. But it’s still important to find the time to learn your tools, discover new techniques — and foster creativity.
GG has worked with some of pop’s most formidable acts, from Little Mix to Madonna.
With its unique leftfield tones and engaging, unusual playing mechanics, it’s not hard to see why the Omnichord has become sought after by sonic experimentalists.
One of the good things about analogue gear, supposedly, is that it doesn’t suffer from built‑in obsolescence. But for how long?