SOUND ON SOUND
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Brian Heywood hails the arrival of Windows 95, and passes on some hints for getting digital sound out of your AWE32 soundcard.
Ofir Gal jumps into Vic Lennard's shoes to discuss the state of the Atari today...
Do your recordings sound like they've been made through a white noise generator? Well, don't just blame the vintage synth or battered effects unit — it could be your gain structure that's at fault. Paul White offers some tips on getting it right...
Martin Russ explains how he discovered the curious truth behind Apple hardware supply, and explains the meaning of 'Spanning'...
Simon Millward continues his fundamental guide to Steinberg's flagship MIDI recording software package.
What are MIDI messages and what do they do?
Paul White examines the role of the keyboard submixer in the MIDI/tape recording studio.
The trouble with sequels is that they're not usually as good as the originals. Is the follow-up to Digitech's powerful TSR24 the exception to the rule? Derek Johnson and Debbie Poyser find out.
Paul White checks out the new features in this latest update to Emagic's MIDI recording environment.
Andy Davies casts his eyes, and fingers, over Fatar's latest low-cost master keyboards.
Paul White provides a sneak preview of the world's first truly portable 8-track digital multitracker for musicians.
Paul White turns his critical ear to three Groove Tubes valve mics, and concludes that they are more likely to tell you what you want to hear than the unbridged truth.
It's not a new synth — it's seven! Korg's amazing new Prophecy offers analogue and FM synthesis, and physical modelling, and still costs under £1000. Unsurprisingly, SOS staff have been dying to review one ever since it was unveiled at this year's Frankfurt Musik Messe. Lucky man Gordon Reid won the toss...
Offering evolution not revolution, the feature-laden K2500R packs one heck of a sonic punch. Paul Ward remains impressed...
Kenton Electronics' new one-channel MIDI-CV converter is slightly more expensive than others of its kind — but there's a reason!
Vocoders aren't just about tiny robot voices from awful '70s records — some could generate lush choir sounds and opulent strings too.
Fletcher ElectroAcoustics' Voice Channel is a modern reincarnation of a vintage classic compressor, repackaged with a high-spec mic amp and an enhancer.
Long-term K2000 user Paul Ward gets to grips with the latest in Kurzweil's line of groundbreaking synths for just long enough to produce this hands-on preview...
Having nearly made it in the '80s with an awesome sound on a par with Trevor Horn's productions, UK electronic music stalwart Mark Shreeve is back, with his sights set on Hollywood. Jonathan Miller discusses vintage gear, multi-million pound albums, and Samantha Fox.