SOUND ON SOUND
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These three audio examples illustrate the ideas discussed in February 2023's Cubase workshop.
To celebrate AKG’s 75th birthday, we’re shining a light on perhaps their most iconic microphone.
The C414 has...
Cubase’s FX Modulator makes it easy to design ear‑catching riser and drop effects.
DP’s Articulation Maps can help you get the most out of your sampled instruments.
American record producer, engineer and mixer Bob Clearmountain unpacks Neil Finn’s vocal from the Crowded House track ‘I Feel Possessed’.
When you’ve learned your craft from Manny Marroquin, you can mix on almost any system — as Jeremie Inhaber proved with Meghan Trainor’s ‘Made You Look’.
Bridge the gap between Live’s Session and Arrangement views.
We take a tour of Avid’s surprisingly deep Channel Strip plug‑in.
We don our shiniest Daft Punk helmets and get funky with Studio One’s Vocoder.
Adding a horn section to your productions can bring everything from mellow melancholy to verve and excitement.
Here's how to spice up your drums with Logic’s stock plug‑ins.
The buzz around immersive visual media is creating plenty of new opportunities for those who record spoken word for a living. But how do these new jobs differ from traditional ones?
These three audio examples accompany the Cubase Sampler Track technique workshop in SOS January 2023.
Cubase 12...
Cubase’s Sampler Track is capable of making surprisingly playable backing vocals.
Producer and mix engineer John Feldman details how he got his favourite vocal sound on the Used’s 2002 debut single.
With hit albums for Dave, Wizkid and now Stormzy, Brazilian‑American mixer Leandro Hidalgo is at the top of his game.
We explore a few ways to share your Logic Pro projects with collaborators.
Pro Tools offers some powerful features for quantising both MIDI and audio.
With a bit of fine‑tuning, Reaper can help you edit long podcasts at pace!
Join us as we delve into the hidden mysteries of the Kong drum machine.