SOUND ON SOUND
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Mixing gets so much easier when your processing chains are configured to deliver the same results in response to the same levels!
Stay on top of your content with DP's powerful Clippings.
Record producer/mix engineer Luke Smith details how he got his favourite sound on ‘Spanish Sahara’ from Foals...
David Wrench’s goal as mix engineer was to make Blur sound like themselves!
With the new Sketch window and app, Pro Tools enters the world of clip launching.
Turn the ratio up, and a compressor becomes a limiter. Go even further and you enter the world of reverse dynamics — and unique sonic effects.
Studio One, from version 6 on, is now a surprisingly powerful video editor!
Asked to pick a favourite sound to dissect, American mix master Michael Brauer chooses the vocal sound on Elle King’s ‘Ex’s & Oh’s’.
Working on Trippie Redd’s mixtape A Love Letter To You 5 at Miami’s Criteria Studios gave mixer Koen Heldens the rare chance to mix a rap album to half‑inch tape.
Logic’s Smart Controls allow you to create hands‑on effects macros.
Pro Tools’ metering options can help you stay on top of your levels.
Any Reaper track can have up to 64 channels, and even in stereo mix projects that opens up a vast world of routing possibilities.
Reason’s new Objekt synth takes physical modelling in a new direction.
Bend Markers let you manipulate your audio timing with ease.
Embrace the power of Cubase’s Project Logical Editor, and you can become a workflow ninja!
Mixing in software needn’t mean that the results lack character, colour and warmth.
When it comes to MIDI editing, Cubase’s MIDI Logical Editor can do magic!
Now that your drums are organised, it’s time to whip them into shape!