SOUND ON SOUND
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Producer Paul Staveley O'Duffy has strong opinions on how the music business can be improved. Here he puts the case for a more flexible approach to the record industry — one that would expand the boundaries of what the public gets to hear...
In the concluding part of this short series, our intrepid MIDI musicians turn their attention to the creation of sound effects and the final mix... By Paul D. Lehrman with Steve Olenick.
The recently released 'Tangents 1973-1983' Tangerine dream boxed set chronicles the 10 seminal years the German group spent on the Virgin Label. Mark J. Prendergast concludes his history of the band, and looks at the effects they have had on the development of modern music technology.
Brian Heywood looks back at how the PC world has fared in the past twelve months, presents the 1994 PC Notes awards, and looks forward to a very Windows 95....
Vic Lennard explores a brand-new, home-grown CD-ROM... Atari Mega Archive.
Paul Overaa brings you more news on Amiga music applications and that crucial Commodore bidding war: AudioMaster IV.
Martin Russ fights the corner for the Apple Mac, surveys the current Macintosh product range, and generally tries to persuade you to buy one!
Paul White explains the APRS tape labelling system and offers a few hints of his own on tape care.
Martin Russ brings you the latest Apple news and views. First off the press is the low-down on Apple's new System 7.5...
Nick Magnus concludes his exploration of MIDI controllers with a look at creative uses of SysEx, and some of the hardware MIDI devices which allow more intuitive uses of controllers. But first, how to mingle your Ooohs and Aaahs...
If you can't get a good performance from your vocalist, it could be your method of monitoring that's at fault. Paul White offers some helpful advice.
Digital recording is very different from analogue when it comes to setting the right recording level. Jerry Halatyn helps you to understand your DAT machine...
How do you fancy a way of playing guitar patches, like a guitar, without the expense of a guitar synth system? Impossible? Derek Johnson finds out...
News of the ESi32 has set the hearts of ambitious but fiscally challenged samplists beating faster. Mike Barnes brings you this exclusive review of the machine which packs EIII sampling power into a box costing under £1200, and wonders 'Is it too good to be true?"
Following in the footsteps of Roland, Emu and Korg, Ensoniq have now taken the plunge into plug-in hardware with the latest release, the 16-bit Soundscape card for the PC. Paul Nagle puts it through its paces.
Yamaha's latest digital mixing console was by far the biggest crowd sensation at this year's APRS in London, taking many people by surprise with its low price and wealth of features. Dominic Hawken lends a listening ear to the first unit in the country.
Axe heroes wanting that classic Marshall stack sound without the bulk should check out this floor-mounting DI unit. Paul White put his foot down.