SOUND ON SOUND
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Henrietta Smith-Rolla, known professionally as Afrodeutsche, gives Caro C insights into her musical journey, from her introduction to the music industry in Manchester, signing to Skam Records and becoming a BBC 6 Music DJ.
Can these small two‑way monitors really deliver accurate sub‑bass information at the mix?
Software‑controlled ‘patchbays’ are invaluable for recall and routing in hybrid studios. Is this the right one for you?
Eirik ‘Pytten’ Hundvin’s work with Mayhem continues to inspire producers, 30 years on. Two of the genre’s leading lights explain how they are taking black metal forwards.
This compact, versatile channel strip boasts SD card recording, USB audio interfacing and mix‑minus phone integration.
Steinberg’s Vocoder plug‑in has finally made it into the 64‑bit world and has also undergone a smart visual makeover.
Fatboy Slim’s dream of universal 303 ownership inches a little closer with this cut‑price acid box.
DP’s comp and take management features help you assemble the perfect performance.
Gig Performer is a live plug‑in platform that’s as configurable as it is crash‑proof.
Harrison’s console‑derived channel strip plug‑in majors on speed and immediacy.
Heavyocity’s supercharged sequel rockets into orbit.
Are Icon’s latest range of control surfaces the perfect interface between human and DAW?
Jack Harlow’s smash hit ‘Lovin On Me’ is the perfect marriage of old‑school sample manipulation and 21st Century laptop production.
Dual effects chains offer huge creative potential.
Most audio interface designs are based around technology from British innovators XMOS. What makes the xcore platform so ubiquitous, and what does it mean for musicians?
We help transport listeners from a small studio to the Big Easy!
Moog’s new bass soft synth goes deep. Really deep...
With new models, new effects, an IR loader and the return of the looper, this latest version of Guitar Rig has plenty to offer guitarists and producers alike.
The new Markers and Memory Locations system in Pro Tools makes session navigation easier than ever.
Low distortion is often a marker of quality in audio equipment. We explain how to make sense of standard distortion specifications.