SOUND ON SOUND
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The idea of selling music over the Internet has become hugely popular — but many musicians remain worried about issues such as copywright and publicity for their work. Paul White puts these concerns to the founders of Peoplesound.com, one of the best publicised on-line record companies working with unsigned artists.
Physical modelling is continuing to develop with increases in DSP power. Dave Shapton ponders the possibilities for future music technology applications, and also sees trouble on the Firewire horizon...
There aren't many bands who produce their best work over 20 years into their career, but XTC's 1999 album Apple Venus Vol. 1 has been widely acknowledged as a masterpiece, and their latest, Wasp Star, is a joyous collection of noisy, catchy pop songs. Andy Partridge and Colin Moulding recorded it in their own Idea Studio, where they talked to Sam Inglis.
One of the easiest ways of achieving synchronisation between music and pictures is to run both on the samecomputer. Hugh Robjohns talks to a writer of music for broadcast who does just that.
The Internet continues to offer new opportunities for artists wanting to promote their music to a worldwide audience. Simon Trask looks at who is distributing music over the Internet and the attitudes towards this new distribution medium.
Derek Johnson finds that a picture plays a thousand notes with Fractal Music Composer.
Even PC experts can find the business of setting their machines up for music pretty complicated, so it's hardly surprising that many new users are bewildered by the vast array of settings and options available. Martin Walker offers a guide through the maze...
This month Vic Lennard explains how to defragment your hard disk and discovers an impressive MP3 encoder.
Martin Walker suffers the consequences of a major hard disk failure, and attempts to recover his valuable data...
One of the advantages of a software-based instrument is that it can evolve over time, as its makers add new algorithms and refinements. Clavia's Nord Modular has undergone exactly this process, and its editing software has also migrated to the Mac. Gordon Reid tries out the latest version, along with its baby brother, the MicroModular...
Last month Robin Morley told of how, armed with a new understanding of the music business, he set out to secure himself another record deal 10 years after signing his first one. In the second half of his feature, he explains how a willingness to think about marketing and promotion bore fruit for him — and how it can work for you.
Big George tells a cautionary tale about a not-so-typical day at the office...
I'm writing because I would like to know what difference it makes patching EQ before a compressor as opposed to after it....
If reverb were added to a track and then the finished article were passed through, say, a TC Finalizer or other multi...
Paul White answers some of the most common questions we receive about soundproofing and acoustic treatment for the home studio.
One drawback of soundcards and soft synths is their lack of physical controllers, but Doepfer aim to bridge the gap with their diminutive PocketC. Paul Ward tries his hand...
A new multi-band, multi-coloured, multi-effects unit from Electrix extends their range of bright and unusual hands-on processors. Could it all be too much of a good thing? Chris Carter investigates...
Emu Systems have been synonymous for so long with samplers and sampling that it may surprise some to learn that they started out making analogue synthesizers — and that through the '70s and early '80s, they produced some of the biggest, most sophisticated modular synths ever made. Simon Lowther gets out his patch cords...
With full-sized velocity-sensitive keys and versatile control capabilities, Evolution's diminutive MK125 could find many uses as a MIDI remote keyboard. Martin Walker tries one out for size.
Paul White tests the latest incarnation of the Joemeek VC3, which now sports a three band equaliser in addition to its mic/line preamp and opto-compressor.