SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
After a couple of weeks spent trying to decipher the inner mysteries of QuickTime 2.0, Martin Russ devotes this month's Apple Notes to revealing the results...
When Paul Johnson decided he'd like to teach a Music Technology course at the college where he works, there was one small problem: he had to build the studio himself during the summer holidays, on a shoestring budget with help from just two students. Impossible? Let's find out...
This month, Simon Millward explains how you can use Logical Edit to hype your hi-hats and pep up your Quadraverb+ patches.
Digital delay tends to be taken very much for granted, but the majority of today's studio effects would be impossible without it. Paul White describes how to set up your own DDL effects from scratch.
Paul Overaa advises on how to improve your sequencer's notation facilities, gives some more tracker tips, and rounds up some current Amiga news...
Nothing beats the feel of a superb live performance captured on tape... but exactly how do you go about it? SOS's Demo Doctor and live recording veteran John Harris considers what you need to get that classic gig onto multitrack tape.
Timing delays, stolen notes, lack of sampler memory... having trouble playing back your sample files over MIDI? But all these problems can be things of the past. All it needs is a little care and planning — as Wilf Smarties explains.
Brian Heywood brings you the latest PC news, and offers a handy tip to net surfers who may be getting lost...
You might think that the layout of your studio is determined purely by where your monitors go and where you sit, but as Paul White explains, there are few areas where you have to exercise a bit of care. • Part 1 • Part 3 • Part 4 • Part 5
Need to upgrade your ST's memory? Vic Lennard looks to RAM the point home...
After having discovered what makes an American music publisher sit up and take notice of a demo, David Bibbey turns his attention to the likes and dislikes of the home-grown variety — Dominic Walker of BMG.
Once upon a time an Emulator was all eights: 8-bit, 8-voice, 8-outs, but that was a decade ago. Ten years on and the latest Emulator has more of the 128 about it: 128 voices, up to 128Mb of RAM. Paul Wiffen finds out if everything else about the EIV is 16 times as good.
Are the 16-bit capabilities of your AV Macintosh languishing unused for want of a decent (and Cheap) 16-bit sample editor? SoundEdit 16 could be your salvation. Mike Collins checks it out...
Just the thing to send Paul White for Christmas: an Omni Present!
At a time when a modular synth could cost as much as an average house, Roland's System 100M was an affordable dream. Chris Carter gets patched in...
The roles of the various signal processors and effects used in audio production are pretty well understood by most musicians, but it's not always obvious where they should be patched into the signal chain to give the best results.
Paul Ward looks back through time to 1980, and considers the hidden strengths of one of Roland's more overlooked monosynths: the SH09.
Paul White brings back from NAMM exclusive news from Roland's new secret weapon in the physical modelling wars.
Soundcraft have added nearfield monitors to their product range in a continued bid for world domination. Paul White subjects them to the rigours of studio life.