Inside Track: Shaboozey ‘A Bar Song (Tipsy)’
The biggest hit of the decade so far took Shaboozey and his team half an hour to write — and weeks to perfect.
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The biggest hit of the decade so far took Shaboozey and his team half an hour to write — and weeks to perfect.
Does this box of tricks live up to its billing as the Swiss Army Knife of audio cables?
What conclusions can we draw from the resurgence of tape-based recording and releases?
Introduced in Live 12, Roar is much more than just a saturation plug‑in...
Tascam’s new recording mixer is the most flexible Model‑series console yet.
Toontrack’s latest EZX expansion brings classic and contemporary pop drums to EZdrummer and Superior Drummer.
This pedal‑format compressor doubles up as a serious studio tool.
Have Wes Audio achieved the perfect union of analogue processing and digital control?
You might wonder why I’m still drawn toward effects pedals when plug‑ins can often do so much more, but in a way that answers the question.
Studio One Pro 7 is a solid upgrade with something for almost everyone.
We get re-acquainted with some of Pro Tools’ stock plug‑ins.
PWM’s sophomore outing is an intriguing combination of old and new, co-designed by the late Chris Huggett.
Sennheiser have shrunk down their classic 421 — but have they retained everything that made it so popular?
Will Soyuz’s beautifully crafted four‑capsule mic help turn Ambisonics from a niche interest to a mainstream studio technology?
In the age of mixer‑less studios, monitor controllers are on the rise!
The SOS team pick their favourite hardware and software from the past 12 months.
We revisit some old tape masters with the help of Logic’s new Stem Splitter.
Looking for a new plug‑in to fuel your creative endeavours?
Drawing on their established 300‑series pencil mics, Microtech Gefell have created a small but potent modular range.