SOUND ON SOUND
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The monitor controller is the hub of the 21st Century studio, and if you have the budget, Lake People’s MC100 has all the I/O you’ll ever need.
We continue our crash course in editing and mixing drums.
With the KD1 saturation effect, McDSP show that their analogue plug‑in system can deliver more than just dynamics processing.
Navigate busy sessions with ease using Pro Tools’ new Markers system.
We check out the latest version of PSP’s Lexicon PCM42 emulation.
An image in Genelec’s GLM manual suggests placing a subwoofer in a position to send the direct sound waves right through the underside of the mixing desk. Is it perhaps not an obstruction issue because the sub‑80Hz frequencies aren’t so directional?
Does sending phantom power to a dynamic microphone cause any problems or affect the signal?
When it comes to achieving a balanced frequency distribution in your mix, Sonible’s true:balance metering plug‑in can let your eyes support your ears.
This powerful alignment tool is now easier to use and boasts new functions — along with impressive results.
We explore how Studio One’s Snap, Grid and Quantize settings interact.
Is Synthogy’s Ivory 3 the best virtual piano you can buy?
A formidable and wildly-dressed character, Kabeaushé produces an eccentric blend of pop, hip‑hop and electronica on his latest album The Coming Of Gaze.
UJAM’s Usynth range is about getting good results quickly, and GLAM is no exception.
Virtual piano, virtual pianist or virtual songwriting partner? Toontrack’s EZkeys 2 attempts all three.
With seven amp and six cabinet emulations, there’s a wide range of guitar and bass tones on offer here.
I believe SOS still stands out. If you look at its coverage of events like Superbooth, I think you can see that difference.
The launch of the original Jamstik Studio marked a real advance in the world of pitch‑to‑MIDI guitars — and there’s now an alternative model for guitarists who prefer to play something more familiar.
This enduringly popular vocoding plug‑in has been treated to much more than a graphical refresh!
ZAPS is designed for fast, percussive sounds that spit, splat, zip and zap, although it won’t shy away from the odd melody either.
Having joined the team at Moog Music back in 2015, product strategist Max Ravitz was a key player in the development of the widely lauded Moog Mother‑32.