
Apple Mac Studio
Is Apple’s Mac Studio the perfect computer for the studio?
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Is Apple’s Mac Studio the perfect computer for the studio?
Dreadbox are on form with an instrument that packs a lot of synth into a very small box.
Enjoy Electronics combine past and present in this intriguing quadraphonic digital delay.
Veteran software Mellotron specialists GForce have recreated the sounds of the earliest models with startling accuracy.
Heavyocity take a creative wrecking ball to the orchestra.
With its built‑in mixer and the option of battery operation, the HH Tensor‑GO offers a versatile solution for reproducing high‑quality live sound both on and off the grid.
Poo Bear, the American two‑time Grammy Award‑nominated songwriter, producer and principal collaborator of pop megastar Justin Bieber, chooses his own favourite vocal on a track from Bieber’s Changes album.
Central Cee has taken drill music to the top of the UK album charts, thanks to some very fast work from mix engineer Sean Donoghue.
Key commands can place even the most obscure Logic Pro features at your fingertips!
With its intoxicating amount of modulation options, this creative effects plug‑in could become rather addictive!
Gibson breathe new life into a fondly remembered vintage pedal marque.
One of the world’s leading engineers specialising in rock music, Mike Plotnikoff is renowned for his guitar sounds. The secret? Find the right amp and keep it simple.
Having already emulated the Echoplex tape delay, Foxgear set their sights on the Binson Echorec.
Mirror creates reversed delay/reverb effects that come before the note...
Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.
Enigmatic New York producer Morgan Geist began making techno in his ’90s college dorm before a remix turned his life upside down.
Looking to start a new live music night? We tell you what you’ll need and how to use it.
This clever storage and expansion solution is intended as the perfect companion to a Mac Mini.
Based on the chorus section of Roland’s classic RE‑501, this isn’t your average 500‑series module!
I keep reading about the use of ‘negative feedback’ to reduce distortion in audio gear. How does this work and how effective is it?